Category: Hamlet

Hamlet endures due to its complex characters, psychological depth, and exploration of universal themes such as death, revenge, and the human condition. Its enduring popularity is also attributed to its poetic language, memorable quotes, and its influence on literature, film, and popular culture. Hamlet’s themes and characters continue to be studied and adapted in various forms, making it one of Shakespeare’s most famous and frequently performed plays. Its timeless appeal lies in its ability to speak to audiences across generations, cultures, and languages, and its place as a cornerstone of Western literature.

Browse the text of Hamlet entire play here.

Review : Ryan North’s Interactive Hamlet “To Be Or Not To Be”

~ duane ~ Leave a comment

I realize this one came out several years ago, but I’m pretty sure I never reviewed it. If you haven’t heard of it, have you heard of those old “Choose Your Own Adventure” books?  Where you’d get to the end of a page and it would say things like, “To talk to the pirates turn to page 19, to hide and hope they don’t catch you turn to page 25”?  It’s that.  The great thing about the ebook form is that everything’s just clicks now, which makes the format that much more flexible.  You can go crazy with the different paths through the book and not worry about producing a paperback that’s 500 pages.

You have to know, right from the start, that this is going to be mostly original material, rather than follow the plot.  How can it be otherwise? Every time you choose to do something that a character didn’t do in the original, North has to supply his own version of events.

With that in mind, you can “play” as Hamlet, Ophelia, or even Hamlet Senior. I first chose the latter thinking it to be a joke – you get one page in and find out you’re dead – but the author’s better than that.  You’re now the ghost, and you get to play the book that way, going on adventures, checking in periodically to see how your son is doing on his quest, all that good stuff.

It’s actually quite fun. There’s a lot of the author’s attitude in here, and the fourth wall is just a pile of rubble.  He is speaking right at you the whole time, asking you to double check your choices, scolding you if you don’t follow directions.  It’s great fun.

I don’t know that you’re ever really finished with a book like this.  Since it is technically a book and not a game or app, your reader will give you page numbers. Mine tells me that there are about 1200 pages.  In theory, you should visit all of them, but I’m not so sure.  I’m fairly convinced that the author has written one or more entirely separate stories as easter eggs for people who just randomly flip through the pages (because, since it is a book and not an app, he can’t stop you).

If you haven’t read it yet, you might want to give this one a chance. I see on his author page that he did a Romeo and Juliet as well, I think I might have to add that one to my collection.

Be sure to check out the new Shakespeare Geek Merchandise page, new for 2017 on Amazon! All new designs!

Why Does Hamlet Hesitate to Kill Claudius?

~ duane ~ Leave a comment

Why does Hamlet hesitate to kill Claudius?

There are a few different ways to answer this question. I assume that most of the time people ask it, they’re referring to III.3 when he catches Claudius at prayer:

Now might I do it pat, now he is praying;
And now I’ll do’t. And so he goes to heaven,
And so am I reveng’d. That would be scann’d.
A villain kills my father; and for that,
I, his sole son, do this same villain send
To heaven.
Why, this is hire and salary, not revenge! [citation]

So the short and easy answer is Hamlet tells us – by killing Claudius at prayer, his soul is clean, and therefore he’d go to heaven. However, this is not a luxury granted to Hamlet’s father, which is why he now roams the earth as a ghost.  Hamlet doesn’t feel that this is an even exchange.

You should, however, be saying, “Seriously?” right now.  “You set the trap to prove Claudius’ guilt, it worked, now you’re behind him, there’s no witnesses, you could absolutely finish him off. And instead you’re thinking ahead to where he soul ends up?”

That is precisely the whole point of the play. Hamlet’s indecisiveness is all. He can talk himself out of anything. Go back to I.5:

But know, thou noble youth,
The serpent that did sting thy father’s life
Now wears his crown. [citation]

So your father’s ghost appears and says, “I was murdered by the king.”  Your first thought is, “I know, I’ll start acting crazy around everybody so they won’t know what I’m up to.”

At least the point has a specific rationale, however. In Amleth, the source material for Hamlet, the hero believes that his life is in danger and decides to pretend that he is an imbecile not to be perceived as a threat to the new king.

In Shakespeare’s version, however, that connection is lost — there’s no reason early in the play to think that Claudius is planning to kill Hamlet (though clearly, he plans to have England do it). So it looks like Hamlet’s just coming up with excuses to delay action.

I’ve always held that his mother’s death, not his father’s, ultimately spurs him into action. The entire play passes without him avenging his father, but it takes just 20 lines of dialogue between his mother’s death (“The drink! I am poison’d.”) and Hamlet’s action (“Follow my mother!”). Some argue that he finally sees his own mortality and knows, from Laertes, that he, too, has been poisoned, and if he does not act now, he will never have the chance. But I’ve always felt that the “Follow my mother” line is a big deal – it’s not as if he mentions his father. Remember his concern over the fate of his father’s soul? How he was not absolved of his sins? Well, now his mother’s met the same fate.

Has Anybody Seen Hamlet’s Ghost?

~ duane ~ Leave a comment

By that I mean Hamlet’s Ghost, a new film by Walker Haynes.  I just saw it scroll past on my FIOS On Demand. I’d never heard of it!  It appears new – their Facebook page says that it just became available this past week, which would explain why I never heard of it – but the IMDB page dates it 2015, so I guess it took a spin on the festival circuit first.

A modern Shakespearean actor must travel back in time to confront enigmatic forces from the past and future.

You had me at Hamlet.  But I’m still trying to figure out how much Shakespeare is actually in this.  Here, check out the trailer (which is dated two years ago and looks like the director put it together on his Commodore 64, but maybe he didn’t have much budget left at the time…):

So there’s a swordfight on stage.  Is that it? Do we even see Hamlet’s ghost? I’m happy to check this out, but I can tell you right now that I’m in it for the Shakespeare so if there’s not much, I’m going to be disappointed.

Also, does anybody else get a strong “young George Clooney” vibe from the director / star, Walker Haynes? I don’t believe I’ve seen him in anything else, George Clooney is the name that keeps leaping to mind as I watch.

Be the players ready?

The credits list Gertrude, Horatio, Laertes and Polonius, so that gives me hope. Where was everybody else? I clicked “See full cast” and discovered Claudius, Osric and Fortinbras.  Can’t find Ophelia anywhere, though.

Hey here’s a fun bit of trivia!  Hamlet’s ghost (or, at least, “The Ghost”) does show up!  The actor is someone whose credits include apparently long-running full time work as a transcriber for Shark Tank, and production assistant for The Real Housewives of Orange County. Guess the actual amount of acting experience needed for the ghost wasn’t too high.

Seriously, though, has anybody seen this yet? Is it worth seeking out?

Hamlet's Ghost

Horatio’s Big Moment

~ duane ~ Leave a comment

I may have mentioned that I did not, at all, like Horatio in Benedict Cumberbatch’s Hamlet. It wasn’t just the over the top hipster characterization. He just didn’t … do, anything.  He’s a nonentity in almost all of the play.  When we see him in the unusual scene one he’s little more than a messenger with something very important to say, who is dismissed by Hamlet before he gets to say it.  Later it almost seems like he’s heading out of town, having given up Hamlet for dead.

Except for one scene.  Hamlet’s back, he’s relayed the ridiculous story of how he escaped the pirates, and Rosencrantz and Guildenstern Are No More.  This takes Horatio a second to piece together, or maybe it just takes him a second to work up the guts to say it, but:

HORATIO
So Guildenstern and Rosencrantz go to’t.

HAMLET
Why, man, they did make love to this employment;
They are not near my conscience; their defeat
Does by their own insinuation grow:
‘Tis dangerous when the baser nature comes
Between the pass and fell incensed points
Of mighty opposites.

HORATIO
Why, what a king is this!

He yells that last line at Hamlet.  I think it’s the only time he raises his voice.  Took me by surprise, actually. But I liked the interpretation.  Hamlet is in the middle of justifying how he’s left two “friends” to their death and that he doesn’t think twice about it, and Horatio has to say, “LISTEN TO YOURSELF! Were you supposed to be king? Is this the kind of king you would have been?”

Bardfilm tells me that this line can be interpreted as meaning Claudius — agreement with Hamlet, getting back to the original “It was them or me, Claudius is the one that sent me to my potential death” argument.  If that’s the case, then at least in this production Horatio would still be just a sniveling toady.  Hamlet’s told him that he killed two guys and doesn’t care, and Horatio’s all, “Yeah, screw them!  Claudius is the real bad guy here, not you! Let’s go get a scone and an espresso, I want you to read my Nanowrimo entry…”

(P.S. I feel obliged to point out here, for those that do not have the text handy, that Rosencrantz and Guildenstern do NOT typically know that they are taking Hamlet to his murder.  I wonder if Hamlet knew that, if it would have given him pause?)

A New (?) Theory About Hamlet’s Ghost

~ duane ~ 2 Comments

One of the reasons I love Shakespeare is that every time I see a play, I see something that I’ve never considered before.  Beneficial Cinnabun’s version is no different.

Consider the ghost’s appearance in the bedchamber scene.  A standard question on high school exams is, “Is the ghost even real at this point, or is Hamlet insane?  How come we could see the ghost in the first two occurrences, but not this one?”

Coming away from Benvolio Concubine’s version I’m left with a new idea.  What if the ghost is there because Hamlet is screwing up the plan, and he’s here to save him?

It depends heavily on how you play it, but this version of Hamlet (I’m getting tired of thinking up variations for the man’s name) is pretty heavy handed with all of the “Look, seriously, I’m not crazy I’m only pretending” clues.  It goes so far as having Hamlet himself dress up to take part in the play-within-a-play and pour the poison in his player father’s ear, which is about as big an F-U to Claudius as you could imagine.  If that doesn’t say “I know what you did” I don’t know what would.

And now here he is lecturing his mother on “almost as bad dear queen as kill a king and marry with his brother” and everything that comes after.  I imagine the ghost hovering underneath the stones (a joke the “old mole” played for laughs earlier) thinking, “What is this kid doing???”

So he makes an appearance, where he basically yells at his son that he’s doing everything wrong.  He’s invisible to Gertrude, so it’s going to look like Hamlet is suddenly talking to no one.  He comes as an angry ghost, so from Gertrude’s perspective her son goes from yelling at her to apologizing to the wall.  Presto, now she’s back in the “My son is crazy” camp.

One of the big questions is whether Gertrude knows what Claudius did, and/or was in on it.  But either way, she’s still a mother dealing with her son, and as far as I know is very rarely shown to be more on Claudius’ side than Hamlet’s.  So, she’s already sympathetic to his cause.  Maybe she doesn’t know what Claudius did.  Maybe Hamlet is actually convincing her that maybe there’s something to it.   Maybe, if the ghost doesn’t appear, maybe she goes to Claudius and says, “Hamlet was in here muttering all kinds of weirdness about me murdering his father.”  But that doesn’t happen.  The ghosts appearance makes her firmly believe that her son is nuts and needs to be protected from a very irate Claudius.  She says nothing, other than the obvious murder thing.

I suppose most of the scene continues after the ghost disappears, so Hamlet’s got plenty of time to talk sense to his mother.  Or, you could shuffle things around a bit so that all the logic comes first, then the ghost, and then she’s left completely confused as to whether he’s nuts or not.  Lots of potential room for interpretation I hadn’t really considered before.