Guest Post : Shakespeare’s Travels

Scotland – the famous setting for Macbeth

Should you ever decide to embark on a tour of the locations of Shakespeare’s plays you’d find yourself with a long itinerary. The bard’s quill pen roamed the world, from Egypt and Syria to Scotland – this blog has even provided a handy map. Some places, such as England and Italy, were, of course, frequently visited by his imagination. Others, such as Austria (Measure for Measure) and Cyprus (Othello) he only visited once.

Shakespeare shaped these foreign lands to suit his stories. Greece (A Midsummer Night’s Dream, Timon of Athens, The Two Noble Kinsmen, etc.), Wales (Cymbeline, Richard II, Henry IV P1) and Turkey (The Comedy of Errors, Troilus & Cressida, etc.) were made the settings for comedy, tragedy, romance, and history. The world truly was his stage to dress – in fact, most of his plays are set abroad, the Globe Theatre, therefore, becoming an actual microcosm of our globe.

Some locations are famously linked with his plays. Who, after all, would not know that Hamlet is set in Denmark? Other links are, perhaps, a little more obscure. Lebanon featuring in Pericles, for example, or the former Yugoslavia (specifically, the area known as Illyria) in Twelfth Night.

Dubrovnik, once the centre of the Republic of Ragusa in the ancient region of Illyria

Are visitors to Spain’s Basque Country aware that they’re following in the footsteps of the characters in Love’s Labour’s Lost? The location of the French court in All’s Well That Ends Well is a little unclear, but it isn’t hard to imagine Helena and Bertram amidst the grand buildings of Carcassonne. I’m also a fan of the vague Mediterranean setting of The Tempest, which allows me to imagine Prospero roaming Malta, or Menorca, or perhaps Sardinia.

The Great Pyramid of Giza, famous even in Shakespeare’s day

How did Shakespeare know about these far-flung places? As the No Sweat Shakespeare blog once mentioned, even travel between Stratford-Upon-Avon and London was no mean feat. Shakespeare, therefore, didn’t have direct experience of these locations – it was 40 years after Shakespeare’s death when The Grand Tour made foreign travel popular amongst the English elite. Instead he took inspiration from historical texts and other stories (including Italian novellas) – Egypt, for example, has always been well-known to the western world and descriptions of its ancient sites would not have been hard to come by.

The world’s mine oyster, which I with sword will open” – the world isn’t currently our oyster to open, but with Shakespeare’s stages on shores near and distant, perhaps we can, for now, take a little peek and plan for the day when we follow the footsteps of his far-flung characters.

Olly loves to travel and has visited over 80 countries and all 7 continents. He also likes to explore the world through the medium of literature and enjoys matching famous locations with the places he’s been to. Olly runs travel planning blog APlanToGo.com, on which you can download free, highly detailed itineraries for destinations across the globe.

It’s A Puzzle (A Shakespeare Dreams Story)

Every once in a while I dream in Shakespeare. That ever happen to anybody else? I always think it’s very cool.

This time there was a production of Hamlet. I can’t tell if I was in it, or directing it, or watching it. But the stage was littered with giant jigsaw puzzle pieces (it helps, of course, that in these quarantine times our house like so many others is busy doing puzzles). As he soliloquized he would pick up a piece, contemplate it, and then find where in the giant puzzle – because the stage itself was a giant puzzle – it fit.

I didn’t get to see the end but upon waking I thought that a great ending would be him reaching the end of the play without finishing the puzzle. But then the scene closes with Fortinbras, or maybe Horatio, picking up a puzzle piece and contemplating it.

Could A Slings & Arrows Prequel Be Coming?

I noticed some stories lately talking about Slings & Arrows, the undisputed “greatest show about Shakespeare” ever.  But this was the first one to drop the word “prequel” and now you have my attention.

https://www.latimes.com/entertainment-arts/tv/story/2019-11-05/slings-arrows-acorn-tv-shakespeare-prequel?fbclid=IwAR1eSIG54i2GZ3CjXNzmNMrc2BfifdxPpkgpJ7UlXSznzaG309tqDfES8Ic

I’d do some “If you’ve never seen Slings & Arrows” banter here, but seriously, if you’ve never seen Slings & Arrows, stop reading and go watch it. It’s just that good. To recap, each of the three seasons maps to one of Shakespeare’s plays – Hamlet, Macbeth, King Lear (with some side plots thrown in, too). We’re introduced to the series via Geoffrey, our director, who once had a nervous breakdown after he played Hamlet (and yes, now he’s directing it). He’s haunted by the ghost of his own former director.  Meanwhile we get to see what makes a Shakespeare festival work, from how they rehearse to how they make money.

And now they’re pitching a prequel about the origins of the festival itself, back in post war America in the 1950s?  I’m not sure what play that’s going to map to, or how much of the original cast would still be relevant, but the original just has so much credibility that I’d get in line to see what the creators come up with next.  I hope somebody picks it up.

 

 

Shakespeare On The Moon

So I was thinking today about a future where we have people on the moon.  You know, typically Friday afternoon stuff.  Like you might read in a Robert Heinlein novel.  I was talking about the next generation being the ones who might live on the moon, who might be the first to perform Romeo and Juliet on the …. wait a second.

How you gonna swear by yonder blessed moon when you’re standing on the fool thing?

For that matter, how is Hamlet going to ask Polonius, “You see that cloud?”

Here’s the game.  Which of Shakespeare’s plays are going to need to do some editing once they’re performed on the moon?  For bonus points, put on your director hat and tell us how you’re going to creatively get around those lines.  Is Romeo going to swear by yonder blessed Saturn?

 

Review : Ophelia

Maybe the book was better?

I first referenced Daisy Ridley’s Ophelia back in May 2017. I never expected it to be great, but I always hold out hope. I think it’s important for Shakespeare Geeks to support projects like this and let the studios know that the Shakespeare Universe has plenty of opportunity for story telling of many sorts. How else will we ever get another Rosencrantz and Guildenstern Are Dead?

Unfortunately it wasn’t worth the wait. Ophelia joins a very small list for me – namely, the list of Shakespeare movies I literally can not finish.

One of them is Anonymous, the piece of garbage that came out some years back arguing for the Earl of Oxford as the rightful author.  I love the part where he wrote Midsummer Night’s Dream at 6 years old  Moving on.

Another is the 2013 Romeo and Juliet starring Hailee Steinfeld. This one had me tying myself to the chair just to finish the trailer.  Let’s just say that I was done when I realized that it opens with Mercutio winning a joust.  Huh? Exactly.  I didn’t even get to the awkwardness of 14yr old Juliet crawling around the bed trying to look sexy.

And now we have Ophelia.  It’s based on a young adult novel so I suppose we can give it some leeway for being one step removed from the original material.  But…still.  Gertrude in this one is obsessed with remaining young and beautiful. We know this because she confides in Ophelia, who is her preferred confidante, because Ophelia knows how to read.  Gertrude appears to be using some sort of magic potion to retain her beauty.  Yeah.  This potion, I think, is made by Gertrude’s twin sister.  Still with me? As I write that I’m still assuming that I misunderstood what I was watching, because that can’t be right.

That’s not what got me, though. What got me reaching for the STOP button was the random interrupted rape scene.  This one should be on TV Tropes. Random girl finds herself surrounded by random guys, who harass her. Then, as these things go, suddenly she’s on the ground, held down by several of them while one starts to climb on top.  Does anybody remember what act and scene this was?  Enter Ophelia, carrying a huge jug of water making her look like something out of Ode to a Grecian Urn.  Because she’s a strong independent woman she, of course, confronts our primary rapist, who immediately loses interest in girl #1 and starts bantering with Ophelia.  She says that he stinks and needs a bath and you think, “Ok, here’s where she dumps the water on his head.”  No, the dialogue isn’t that intelligent.  Here’s where Hamlet enters.  Then you think, “Ok, here’s where we see Hamlet’s irrational temper, he’s gonna kill the guy.  Or at least we get a sword fight.”  Nope, neither of those things.  We just get Ophelia dragging Hamlet offstage by the arm, exactly like Hermione and Harry Potter.  COMPLETELY IGNORING THE GIRL BEING HELD ON THE GROUND BY SIX GUYS.

I had to go back and rewatch that scene because it couldn’t possibly be that bad.  We see the girl get up.  That’s it.  We don’t see her leave.  Ophelia and Hamlet don’t cast her a second glance. It’s truly as if that scene should have been followed by the guys saying, “Now, before we were so rudely interrupted…”

It’s not Shakespeare. It’s not well written or acted, it does not move the plot along or say anything useful about either of the main characters.  So for those reasons, as they say on Shark Tank …. I’m out.