Category: Shakespeare Plays

William Shakespeare is widely regarded as one of the most influential playwrights in history, and his plays have been performed and studied for centuries. From the timeless tragedy of Romeo and Juliet to the hilarious antics of A Midsummer Night’s Dream, Shakespeare’s plays continue to captivate audiences around the world. Whether you’re a fan of tragedy, comedy, or romance, there’s a Shakespeare play for everyone. So why not revisit these timeless classics and discover the magic of Shakespeare for yourself?

Browse the entire text of Shakespeare’s plays right here on Shakespeare Geek.

Commonwealth Shakespeare 2018 : Richard III on Boston Common

~ duane ~ 2 Comments

My streak continues!  I’ve not missed a Commonwealth Shakespeare in the Park performance since 2005.  This year I finally met Steven Maler, the artistic director since the beginning.  Immediately told him about missing Hamlet, and that I’d toughed out the rain and then stood there, hours late, watching them strike the stage and screaming, “I’M HERE!  BRING EVERYBODY BACK!”

Anyway, this year it was Richard III, and I was both excited – because I’ve never seen or really ever studied that one – but also a bit ambivalent, because I had no real stake in this one, you know?  I have no special love or hatred of the play, so if I missed it, would I care?  But I knew I’d care in the long run, especially about breaking my streak, so I’m happy to report we did not miss.

I tried to explain the general plot of Richard III to my ever patient wife who tolerates my addiction.  Coming from someone who’s not read the play my summary is not the greatest, but it went something like this:  “Think of it in terms of today’s royal family. Say that Prince Harry has decided he wants to be king.  But he’s way too far down the line to ever see the crown, unless he does something about it. So he kills his brother William.  Then he decides that he’d rather be married to Kate, but problem, he’s already married. So he kills his own wife, then convinces Kate to marry him, despite the fact that everybody knows he killed her husband. This is too much for Prince Charles’ heart, so he dies.  William’s son is in the way too, though, so he’s also got to die.  You get the idea.  It’s a blood bath.”  That’s not a 1-1 match but it gave her some context to work with.

Having never seen a different production I can’t really tell you if I saw a good one. I did not love their Richard.  Maybe it was early in the run (it opened on Wednesday, we went on Friday), but I felt like he was having trouble with his lines. His timing was off, and too often you could feel him take an extra pause like he was trying to remember the next word.  Once he spoke over another actor’s lines (which I’m pretty sure was not supposed to happen), and I may have imagined it but I thought I heard Clarence feed him a line right at the very beginning.

What I did like, and found quite surprising, was the strength of the female characters. Not surprising in the sense that I didn’t expect strong female characters from Shakespeare, but rather that in all the times we’ve had discussions about Shakespeare best female roles, I never hear this play mentioned.

I loved Queen Margaret, thought she was great.  Just this kind of crazy old lady who’s all, “Yup, I know I’m not supposed to be here, but I’m old and I don’t care, I’m going to say whatever I want to say to whoever I want.”  I did particularly like when Buckingham recalls her curse just before his death as if to say “Well, I guess the crazy old broad was right.  Ok boys, let’s go.”

Special appreciation, though, for Queen Elizabeth.  I lost track of how many of her family members were killed during the course of the play. But when Richard stands in front of her and says he wants her daughter, the Queen took the insanity of the situation to a whole other level.  The best way I can describe it is if you found yourself in one of those Friday the Thirteenth serial killer movies where almost everyone you know and love has been brutally murdered, only now the guy that’s been doing it isn’t a silent unstoppable monster, he’s here trying to have a conversation with you. And he wants one of your remaining daughters.

This was probably my favorite scene, because on the one side you’ve got Richard who is just so calm in what he’s asking, completely in control of the situation. He doesn’t just want to take the daughter, he wants her mother to thank him for the favor that he’s doing for them.  She on the other hand is on the edge of insane at the whole situation.

I think that if I watch more productions (and I plan to), I’ll better understand all the players and how they move about the game.  I was trying to stay ahead, including having the script loaded up in my app and following along at some parts.  It just wasn’t what I expected. Scenes I thought might have played more humorous did not get laughs.  The few laughs that it did get seemed more slapstick, with Buckingham cavorting about the stage and yelling “Boo!” to the children, or Richard doubling over slapping his knee laughing at just how evil he is.

This year they did a thrust(?) stage? Am I using that term right?  Basically it came straight out into the audience so most of us were wrapped around the edges. We spoke with one photographer right at the edge of the stage, he was getting some great shots.

The “there’s only one man at this table who isn’t loyal” scene has been done many different times and I knew it was coming but I still loved it.
I have to admit I did like his look. He doesn’t look very deformed here.
I like the conspiratorial “over the shoulder” look I caught here.

Some Richard Research

~ duane ~ 1 Comment

Ok, ok, I couldn’t bring myself to title this post Some Dick Research, but that’s what I want to talk about. This post is going to be PG-13, fair warning.

I found an article about this new teenage adaptation of Richard III (kinda sorta) that chose to call itself Teenage Dick.  (Clicked that link, did you?  Now you’re on a list.  Have a seat over there… )

Not being familiar with Richard III cover to cover (and wanting to change that because I’ll be going to see it at the end of this week), I wondered, “Did Shakespeare ever make the obvious joke there?”  We often talk about how he wasn’t afraid to make a dick joke, so when his main character is named Richard, did he go for it?

The best I can tell (and by that, I mean searching the open-source Shakespeare for the obvious), he did not. The only reference I see is here:

‘Jockey of Norfolk, be not too bold,
For Dickon thy master is bought and sold.’

But then I thought, “Well, was it common to abbreviate the name Richard as Dick back then?  Maybe it came later.”  But that’s not accurate because I knew that Henry VI Part 2 has a character, Dick the Butcher (most famous for his “First thing we do let’s kill all the lawyers” quote).

I also noticed something interesting in Henry IV Part 1:

Sirrah, I am sworn brother
to a leash of drawers; and can call them all by
their christen names, as Tom, Dick, and Francis.

I’ve always heard the expression as “Every Tom, Dick and Harry,” but… is that where that comes from?  Does Shakespeare get credit for that?

I could google all these things, but it’s more fun to have a discussion.  Was Dick a common nickname for Richard during Shakespeare’s time, and was it also a euphemism for other things?  I’m leaning toward some combination of no because you’d think there’d be more such puns in the works, and I just can’t find them.

On a related but different note, is he the first to use that Tom, Dick, and Francis/Harry thing?  When did it turn into Harry?

Most Dysfunctional Marriages in Shakespeare

~ duane ~ Leave a comment

I love it when Shakespeare comes up at lunch.  We were talking about with a coworker who’d been in Midsummer, and I asked whether his production had been on the light and glitzy side, or touched on some of the darker bits.   This might be the play that kindergarten kids get to dress up as fairies, but it’s also the play where a husband drugs his wife and sends her off to be with an animal until he gets everything he wants.

Which led to this question. I’ve seen “Best Marriage in Shakespeare” done before (and we’ve done it here), and the Macbeths often win that one. They’re made for each other.

So how about the most dysfunctional? Define that however you like.

I am going to go ahead and disqualify Othello right off the bat. If you actually kill your wife during the course of the play then it’s just too easy.  And that goes for both Othello and Iago in that one. Claudius gets a pass because that was an accident.

Kate and Petruchio?  Whether or not you intrepret the play’s ending as happy doesn’t necessarily mean that their relationship is a healthy one. What about the Twelfth Night couples?  When you realize that the person you married isn’t the person you thought you were marrying, can you just roll with it and end up happy?

 

 

 

The Tempest Is A Bad Play

~ duane ~ 1 Comment

Got your attention?  Because it certainly got mine when I read it.

I didn’t write it — this guy did.

A friend cc’d me on a shared post, knowing that a clickbait headline like that was guaranteed to make me a little nuts.  It did.

His argument appears to be that Prospero is too powerful, and his enemies don’t stand a chance against him, therefore it’s boring to watch what we know will be his ultimate triumph over them.  I think this guy maybe thought he was going to see Infinity War or something. He’s describing Shakespeare like a superhero movie and he’s disappointed that there weren’t enough explosions.

He also seems bewildered at this idea that we know how the play is going to end, therefore it stinks:

We must root for him, and we know at every moment that he — yawn — will triumph.

…but you know in an instant how that’s going to end up; there’s no more suspense in it than in the Harlem Globetrotters taking on the Washington Generals.

I wonder how he feels about Romeo and Juliet?

At the end, though, he seems to actually get it:

There is a scene toward the end of the play in which Ariel expresses sympathy for Prospero’s enemies, laid low as they are from Prospero’s magic. Prospero marvels at the fact that the inhuman Ariel can experience empathy, where he, though human, cannot. And at that moment Prospero has his singular insight, which turns his life around: although he himself is at present incapable of empathy, he must act as though he has empathy for others, and, over time, learn to acquire it. And to do so, he must give up his god-like powers, and take his share in the human heart.

Like the kids say, and excuse my language, No Shit, Sherlock. That’s the story that’s in front of you the whole time.  Did you think that the director and actors put it there? I don’t follow how you get off calling the play terrible for half your word count, and then saying “But, this production was amazing.”  Were you scarred by a bad high school production when you were a child?

This guy’s bio suggests he’s actually seen Shakespeare more than once, so the only possible explanation I can find for this nonsense is that he’s trolling us.  He also takes a random slap at Coriolanus, which is apparently also terrible.  I’m surprised he didn’t say Hamlet is overrated and Falstaff’s not that difficult a role to play.

 

 

Midsummer Movie!

~ duane ~ 3 Comments

I did not see this coming!  Looks like it’s time for somebody to try A Midsummer Night’s Dream on the big screen again:

Interesting.  Looks like they’re going with the original text, which is always a good way to start in my book.

The biggest name attached appears to be Rachel Leigh Cook (Hermia) who seems like she’s kept busy, but was really “big” back in the days of Dawson’s Creek and She’s All That.  Trivia?  I continually confuse “She’s All That” with “She’s The Man” and assume that it’s a Twelfth Night adaptation.  I suppose Hamish Linklater (Lysander) is also a big name now, he’s had steady primetime TV work for years now (Legion, Fargo, The Crazy Ones, New Adventures of Old Christine, Ugly Betty…)

What I’m worried about is the trailer shows none of the Rude Mechanicals at all. I came away from it worrying that they’d be entirely cut. Luckily the IMDB page does list credits for all of them so they’ll definitely make some sort of appearance.

Oh! I knew this guy looked familiar!  Fran Kranz (Bottom) is one of Joss Whedon’s gang, and played Claudio in Whedon’s Much Ado About Nothing. That could be cool.

Anybody know more about this movie?  IMDB dates it 2017, but the YouTube trailer appears to be brand new and it looks to be arriving in theatres July 13.  No clue if it’ll be in wide release or not (but I really doubt it).

Is it possible to make a good movie version of Midsummer?  Or is it just too ridiculous (unless you go animated)?