William Shakespeare is widely regarded as one of the most influential playwrights in history, and his plays have been performed and studied for centuries. From the timeless tragedy of Romeo and Juliet to the hilarious antics of A Midsummer Night’s Dream, Shakespeare’s plays continue to captivate audiences around the world. Whether you’re a fan of tragedy, comedy, or romance, there’s a Shakespeare play for everyone. So why not revisit these timeless classics and discover the magic of Shakespeare for yourself?
For years I’ve said that Disney should tackle The Tempest or A Midsummer Night’s Dream. Instead we got Romeo and Juliet with gnomes. I’ll take what I can get.
Oyelowo just came out of an off-Broadway production of Othello with Daniel Craig (also known as James Bond) so it’s a natural project for him. People are confused about Disney attaching its name, though. Which I can totally see, if you assume that the story is going to be 90% Shakespearean tragedy, which it almost certainly will not be.
How would you combine Othello and Cyrano? I’ve argued previously that As You Like It makes for a reasonable Cyrano story. But Othello? Who is wooing whom? Who is whispering in which ear?
Let’s try something different. I may have mentioned once or a thousand times that there’s a Shakespeare Geek line of merchandise on Amazon. I try very hard not to nag everybody by actually creating blog posts for every new design. I keep it mostly to the Facebook/Twitter feed and some ads around the edges. I appreciate the patience of my most loyal readers who still make it here to the blog and don’t catch just the headlines and summaries on social media :).
Everybody who sees you in this is going to go straight to Game of Thrones, but we Shakespeare geeks know that the original quote comes from King Lear ( albeit with 2 fewer dragons 😉 ).
For a limited time, this shirt is available ONLY through this link for the sneak preview price of $15.99. It is not available in Amazon search, and I will not advertise it. In a couple of weeks, once I feel that my followers have had a chance to buy it if they want it, I’ll release it to the Amazon public search feed – and raise the price as well, most likely to $19.99.
You CAN share the link with your friends, or just let them be envious and beg you to tell them where you got that awesome shirt. As with just about all of my designs it’s available in men’s, women’s and youth styles, in a variety of colors.
Thanks for loyal readership over the years. This link will continue to work, but the price of $15.99 is only temporary, so if you want it I encourage you to grab it before the price goes up!
Once again the other day I walked into another Lion King is Hamlet conversation. Twice. It always goes like this:
“Lion King is Hamlet.”
“Seriously? I had no idea it was based on Shakespeare.”
“Timon and Pumbaa are Rosencrantz and Guildenstern.”
Yes, there were three people talking. How the middle person hadn’t previously heard this story I have no idea, it seems like I hear it at least once a week. There’s always somebody that brings it up, somebody that has no idea, and somebody that goes “Oh, sure…” and promptly parrots back what they saw on Buzzfeed last week.
I’ve decided that I give up. It’s no longer fun to explain to people that the number of ways in which Lion King is NOT Hamlet far outweigh those in which Lion King is Hamlet. Instead I’m jumping on the bandwagon. Enlisting the help of Bardfilm (who no doubt will be responsible for the best bits), I present:
#AlsoBasedOnShakespeare
Psycho is based on Coriolanus because it’s about a guy that does what his mother tells him.
The Shining is actually based on The Tempest. They both take place in a remote location and involve apparitions.
Seriously, though, Titanic is really The Tempest. Not only is there a shipwreck, but at the end an old person throws valuable stuff in the ocean.
Goodfellas is really Julius Caesar because that one guy gets stabbed a lot.
On The Waterfront is a modern retelling of The Merchant of Venice because both are on the waterfront.
The Silence of the Lambs is based on Titus Andronicus. We know all about Hannibal Lecter’s main course of liver with fava beans and a nice chianti, but he never talks about the pie he had for dessert.
Twins (with Arnold Schwarzenegger and Danny deVito) is really Comedy of Errors because both involve twins.
No Country for Old Men is King Lear, for obvious reasons.
Four Weddings And A Funeral is The Taming of the Shrew, only with more weddings. (The funeral being for Petruchio’s father, which is technically before the play begins, but when has that ever stopped the movie people? )
The Godfather is King Lear. I don’t know how, but apparently people really do think this. Hmmm, might require a separate post…
Purple Rain is based on Romeo and Juliet because Prince is a character in both.
The Wrestler (2008) with Mickey Rourke is a sequel to As You Like It, looking at what happens to Charles after the events of the play.
The Wizard of Oz is Twelfth Night. It’s so obvious. Storm causes girl to be shipwrecked alone in a strange new land? The Wizard is Orsino, and Glenda is Olivia. The Wicked Witch is a gender blind Malvolio. Not buying it? I don’t see why not, it makes about as much sense as saying the meerkat and warthog are Rosencrantz and Guildenstern.
My goal is to own the Google search results for “Lion King is Hamlet” so we can set the record straight and stop people from including it on all those lists otherwise reserved for 10 Things I Hate About You and She’s The Man. Help Bardfilm and I achieve this goal by adding your comments below! More content on the page helps drive up the quality score 😉
There’s not much Shakespeare content in Neal Stephenson’s The Rise And Fall of D.O.D.O, much to my dismay. But there is a bit that’s new to me and worthy of discussion. The story is a time travel one, and when our hero is transported back to Elizabethan England to hang out with an Irish prostitute, he wants to talk about Shakespeare. He notices that Romeo and Juliet is currently playing.
“It’s a shite play,” she responds, “Just a court sponsored rant against the Irish.”
She then cites her evidence:
the “villain” is a Catholic friar, and “everybody knows” Catholic is code for Irish.
his meddling is the cause of all suffering and the reason why the play is tragedy and not a comedy
the friar’s name is Lawrence, obviously named for St. Labhras, who was martyred by a poison of his own concoction.
Is this a well known conspiracy theory, or did Stephenson make it up? He’s got other examples, less specific – the one about the “terrible drunk Irish character staggering about the stage wailing about how all the Irish are villains and bastards and knaves” or the “English king who went to conquer Ireland, and he said the Irish live like venom.”
I recently saw Baby Driver, and it had a tiny fragment of Shakespeare in it. Over at Bardfilm, I write a lot about Shakespeare and film, but sometimes the references are so tiny that they don’t merit a full write-up. But now that I’ve seized control of Shakespeare Geek, I can throw up something here quickly.
Yes, that was poorly phrased, but I’ll let it go.
In Baby Driver, one of the bad guys is searching for one of the good guys, and says, “Romeo, Romeo, wherefore art thou, Romeo?”
So it’s the usual confusion of what wherefore actually means—it persists even though SG and I dealt with it in one of our Shakespeare Knock-Knock Jokes (for which, c.v.). In this case, though, I think it’s meant to be a marker of just how uncultured the bad guy is. It helps contribute to what makes him a bad guy. Not only is he a villain and a cad, he doesn’t even know what wherefore means!
