College Geeklet: Zendaya is the newest Lady Macbeth

I grew up watching “Shake it Up” on Disney Channel. In fact, I grew up watching Disney Channel in general, but there were certain shows that just stuck with me into adulthood. I now find myself obsessed with how Bridget Mendler from “Good Luck Charlie” was able to get like seven degrees, how Sabrina Carpenter from “Girl Meets World” is now touring the world with Taylor Swift, and more particularly, how Zendaya has taken over the world. 

When I saw Zendaya was going to be in the new movie “Challengers” by Luca Guadagnino, I knew I had to watch. I’ve loved everything that she’s been in since her time on “Shake It Up”, and as a former theater kid, I saw Mike Faist was going to be in it as well which sealed the deal for me. But going into the movie, I had no idea that there would be similarities to Macbeth in it.

The whole movie isn’t a modern retelling of Macbeth like “10 Things I Hate About You” or “She’s The Man.” The only real connection is the main female character, Tashi Duncan. 

The gimmick with Tashi is that she’s an obsessed artist. Sort of like Tonya Harding in I, Tonya, or Nina Sayers in Black Swan. Tashi is a tennis prodigy whose entire existence is wrapped around tennis. She spends her free time analyzing players moves and every conversation she has with a character is related to tennis. She can’t even talk to her own boyfriend in the movie without it being about tennis- I’m not kidding. They get into a huge fight because he doesn’t want her to criticize him anymore, and they end up breaking up over it. 

I don’t think the intention was to make her a modern day Lady Macbeth, but she shares too many similarities to not notice. For starters, from the way the movie was marketed, and even at first watch of the story, Tashi Duncan is the villain. She gets in between two best friends and makes them hate each other so that she can watch a good game of tennis between the two. This is very similar to the surface level treatment that Lady Macbeth gets. Lady Macbeth pushes Macbeth to kill King Duncan, therefore she’s the bad guy. Right? Both characters are strongly villainized by readers and viewers. 

Both of them use their power to manipulate the men around them. Lady Macbeth uses Macbeth’s masculinity to manipulate him to kill Duncan, questioning his manliness if he does not want to kill. This works because masculinity was a huge aspect of a man’s identity at that time, and if they didn’t appear as the stereotypical man, they could be shunned by society. It is this manipulation that landed her the role of “villain” according to many readers. Tashi similarly manipulates the two men in the movies, Art and Patrick. She turns the two of them against each other with romantic entanglements that serve as a means to exert control over them. While Lady Macbeth’s goal was to become queen, Tashi knew that if they turned against each other, she would get to watch some good tennis. Art and Patrick were both so good together that she knew if they played against each other it would be a legendary match. And that’s what she got in the end. 

A lot of female characters who feel very strongly about something, whether it be their careers or goals, are often victims of attacks from audiences. I wrote my final paper for my gender studies course on this. Powerful female characters make [mostly] male audiences uncomfortable, even if some people don’t want to admit it. This is for several reasons, but the larger theme is that they feel threatened in their own masculinity, and seeing a woman so comfortable and able to knock down barriers to get what she wants makes them uncomfortable. 

There are several instances of this in literature that I noted in my paper; Eve from the Bible, Amy Dunne from “Gone Girl”, Cathy Ames from “East of Eden”, Bellatrix Lestrange from “Harry Potter”, Amy March from “Little Women”. This isn’t denying that some of them committed horrible acts, but they all matched that definition of female characters who feel super passionate about something but are clumped together as villains. Both Lady Macbeth and Tashi feel very strongly about something, Lady Macbeth feeling strongly about becoming queen, and Tashi feeling strongly about tennis. While they both do questionable things, their passion makes it easy for audiences to call them the villains of the story without looking at their other character traits.

It’s up to you if you think she is similar to Lady Macbeth…I certainly think so. Other sites have picked up on these similarities as well, such as Sports Illustrated, Ensemble Magazine,  Glamour U.K., and more. You’ll have to watch for yourself to see!

Dead, My Lord, The Queen Is

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Over at the Bardfilm blog, our good friend KJ put up a lengthy post dissecting scenes of Macbeth in the Max series Barry. If you’re a fan of either Macbeth or Barry (or Bill Hader, who stars) it’s definitely something you’ll want to check out.

I want to grab a piece of that post and expand on it. In the scene, Bill Hader plays Seyton, entering in Act V Scene V to deliver his line:

The queen, my lord, is dead.

Instead, it comes out

My lord, the queen is dead.

Here’s the thing: I really like that second one better. It’s an example you don’t often imagine—it’s not changing any words, leaving them out completely, or giving them to another character. It’s just flipping the order. Without the script in front of you, you’d be hard-pressed to remember which is the original.

But once you see them both delivered, the change is obvious. As written it feels way too formal to me. Like Seyton has no personal feelings on the matter He’s all formal. He interrupts, he remembers that he has to properly acknowledge Macbeth, then he continues his message. I suppose you could almost imagine him bursting into the room with the intent to just yell, “The queen is dead!” but he can’t do that, he’s got to throw the “my lord” in there.

Flip it, though, and it changes so much. Now it feels like he’s breaking the news. He addresses Macbeth not out of formality but because he’s got a message for him and wants his full attention. You could drag out the pause here as long as you like, depending on how difficult it is for Seyton to deliver the line. He’s about to tell Macbeth that his wife is gone.

Consider when Ross has to deliver a similar message to Macduff, that his wife and children have been slaughtered. He can’t even do it at first. Macduff is so excited to see him, asking for news, that Ross lies:

MACDUFF How does my wife?

ROSS Why, well.

MACDUFF And all my children?

ROSS Well too.

MACDUFF The tyrant has not batter’d at their peace?

ROSS No; they were well at peace when I did leave ’em.

It’s only after Macduff presses him, knowing that something’s up, that he is able to deliver the real news. Unlike Seyton, he goes on about it in great detail. Seyton has to pack all of his feelings on the matter into one line, just four words. By shifting a few words he goes from neutral observer to emotionally invested in the scene.

Where are some other good opportunities, in this play or others, where a similar re-ordering of words can make such an unexpected impact?

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Ranking Julia Stiles Shakespeare Movies

AI-generated sketch of Julia Stiles in Shakespearean costume
She’s giving Kate vibes in this AI-generated sketch.

I love this idea for a list, courtesy ScreenRant – Top Julia Stiles Shakespeare Movies. Of course, she only made 3, so it’s a very short list – Hamlet, O (Othello), and 10 Things I Hate About You (Taming of the Shrew). The math geek in me wants to say that only leaves 6 possible combinations, but who are we kidding – nobody’s making O their number 1. I love that I can just italicize a single letter like that as a title.

I like to remind people, though, that Ms. Stiles may have been having a bit of fun with us during her Shakespeare period.

She portrayed Ophelia to Ethan Hawke’s Hamlet in 2000 … but she also starred in Down to You with Freddie Prinze Jr. the same year. Is that a Shakespeare adaptation? Well, no. But she does play a character named Imogen – who shares a name with a character from Cymbeline. Which Ethan Hawke also starred in, in 2014! But we’ll call that one a coincidence, the girl’s not from the future.

Then, in 2004, she starred in The Prince and Me. Oh, and she was named the same as a Shakespeare character? Not this time. She just played the love interest to the Prince of Denmark. And they fall in love bonding over Shakespeare sonnets.

I’m a little tempted to stage a Julia Stiles movie marathon just to see how many Shakespeare references we can spot in the strangest places.

How Did Lady Macbeth Kill Herself?

We talk a lot about Macbeth in my house lately. My daughter’s kind of obsessed with it. So when Macbeth content appears on my radar, I play closer attention than perhaps I’d been doing. Today I saw a reference to her suicide, and I thought about Ophelia. Was Ophelia self-aware enough to have deliberately committed suicide, or was she incapable of realizing her own distress and thus not guilty of that sin? Does the same rule apply to Lady Macbeth? To figure this out, the important question to consider is how did Lady Macbeth kill herself?

Although it is sometimes overlooked in a quick read, we do find out what happens to Lady Macbeth. Right at the end of the play, Malcolm tells us that “Macbeth’s queen, as ’tis thought, took her own life by “self and violent hands.” So, in other words, people thought it, I’m confirming it.

…his fiend-like queen,
Who, as ’tis thought, by self and violent hands
Took off her life

Macbeth Act V Scene viii
AI-generated sketch of Lady Macbeth
Lady Macbeth alone with her thoughts

I don’t have an answer to the question any more than I have it for Ophelia. Is it suicide in the same sense when a person is no longer in their right state of mind, does it? It could be argued that Ophelia almost has her moment of clarity – sending messages in the flowers she gives to everyone. So, you could try to make the case that she had consciously decided to end her life. I’m not sure Lady Macbeth gets the same benefit of the doubt. The only times we see her after her descent, she doesn’t look good.

But I have a more specific question here. I don’t think it has an official answer, but it might be fun to speculate. We know how Ophelia met her end. What about Lady M? All we get is the above “by self and violent hands” comment. I’m taking that to mean she daggered herself (I’m just going to go ahead and make that a verb). But this could be just one of those redundant ways of saying the same thing — just a fancy “by her own hand,” which would leave everything open to interpretation.

What do people think? How did Lady Macbeth kill herself? Do we know of any productions that show it? As I write that, I’m trying to remember if Marion Cotillard’s version (2015 with Michael Fassbender) put it on film. I wouldn’t be surprised.

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