“Meet the IRL Romeo and Juliet who met via Snapchat Story,” the headline promised. Now, you know I’m going to click on that.
Category: Shakespeare Plays
William Shakespeare is widely regarded as one of the most influential playwrights in history, and his plays have been performed and studied for centuries. From the timeless tragedy of Romeo and Juliet to the hilarious antics of A Midsummer Night’s Dream, Shakespeare’s plays continue to captivate audiences around the world. Whether you’re a fan of tragedy, comedy, or romance, there’s a Shakespeare play for everyone. So why not revisit these timeless classics and discover the magic of Shakespeare for yourself?
Browse the entire text of Shakespeare’s plays right here on Shakespeare Geek.
Geeklet Starts Romeo and Juliet. I Think.
My daughter was told that they’re starting Shakespeare something like three weeks ago. They did a week on Shakespeare’s life, a week on the sonnets, and almost a week on the prologue to Romeo and Juliet.
So at long last my daughter comes home from school today and flies directly at me. “Daddy!” she yells excitedly, “We finally started Romeo and Juliet!”
“Great!” I say, “How did he end up approaching all that collier/choler/collar stuff?”
“We didn’t get that far.”
“As in, literally the first line. You didn’t get that far.”
“Well, we didn’t really start it.”
Turns out they started watching the movie. The 1968 Zeffirelli version that everybody watches.
“Oh, so how far did you get in the movie?” I asked.
“The scene where Juliet’s mom is asking whether she wants to get married, and the nurse says a bunch of inappropriate stuff which we mostly didn’t understand.”
“And how did your teacher handle that?”
“He explained one of them, kind of, in a very roundabout way. I don’t even remember which one it is.”
“Here’s the thing about Romeo and Juliet,” I told her (for not the first time). “If you start out by assuming that everything either Mercutio or the Nurse says is a dirty joke? You’re probably right. There’s a really good one in the beginning where, I think the Nurse is actually saying it was her husband that says this to a 13yr old girl, but it’s something about how she’s so klutzy she falls on her face, but when she’s older and knows better she’ll learn how to fall on her back.”
“THAT’S THE ONE!” my daughter said.
I tell you, this teacher and I are on the same wavelength. 🙂
The Jungle Hamlet
I have just returned from Disney’s latest live action adaptation, The Jungle Book.
Rejoice, oh followers of the Lion-King-is-Hamlet cult!
It turns out that the Jungle Book is ALSO HAMLET!
Check it.
There’s this dude, right? And then his dad gets killed. So he goes off on adventure with his friends, but has to return to avenge his father.
Boom. Frickin Hamlet, right there. QED.
I mean, sure, there’s bits of Hamlet that aren’t there, too. Like a Polonius or an Iago or Fortinbras or Horatio, but they’re not in Lion King either. I thought that was the rules, that we just pick an arbitrary number of similarities, ignore the differences, and call it a day?
</sarcasm>
Sorry, had to be done. There’s a scene where the tiger literally sits on a “pride rock” and says, “Once the man cub learns what’s happened he’ll have no choice to but to return and take his vengeance,” or something like that, and I thought, “Pretty much the essence of Hamlet right there, if you want to split hairs about it.”
Every “Hero’s Journey” is not Hamlet, people.
Favorite Popular Best
My kids were in a Shakespeare mood at dinner last night (yay!) and wanted to discuss the “best” of the plays. But, I quickly learned, their definition of that word was different than mine when I said, “Favorite? The Tempest. Best? King Lear.” My oldest looked at me and asked, “Why is it different?”
I have very specific and personal reasons why I consider The Tempest my favorite of the plays. It is the first one that I explained to my children, thus introducing them to Shakespeare and (hopefully) changing their lives because of it. If that play did not exist, everything would be different.
But I acknowledge that this doesn’t make it the best. I consider King Lear to be the best, because my criteria lies primarily in how much and how well the play “holds a mirror up to nature” and reflects what it means to be human. When I stop to think about it I feel like I waited half my life to understand King Lear, and only now do I feel like I’ve reached the base of the mountain and that I could spend the rest of my life still trying to understand it. I say that with awe, not frustration. My son (my youngest) asked me to explain it to him, and I told him that I would not. I told him that it is a story so sad that when he was younger and I explained it to him, that not only did he cry for the characters, but the strength of his emotional reaction made me cry while telling it. Sitting in a nice restaurant is not the time for a replay of that scene. (But astute readers can go searching in the blog history, because I did write about it!)
Neither being my favorite nor what I consider the best necessarily correlates with the most well known or most often produced play. I think that Romeo and Juliet or Hamlet has to take that honor. Both have their iconic scene (the balcony, or the skull), where whenever you see it, you immediately think Shakespeare. Both have their iconic line (Wherefore art thou, Romeo? / To be or not to be) although I think Hamlet gets the edge there. Can any other play rank on that criteria? I think maybe Macbeth might be a distant third for the witches around a cauldron, but while many people recognize “Double double toil and trouble,” it tends to make you think halloween, rather than Shakespeare.
How about you? What do you think is the “best” play (whatever your personal criteria might be)? The most popular? Your favorite? Do they overlap? I noticed that mine don’t. 🙂
Introducing Romeo and Juliet
And I mean that literally. My daughter is about to start studying the play in school (she’s been doing sonnets and Shakespeare bio for the last week or two). I’ve tried to sit down with her and look at the original text. It’s difficult.
I’m not talking about the prologue. I think that’s pretty self explanatory. I mean this part:
SAMPSON
Gregory, o’ my word, we’ll not carry coals.
GREGORY
No, for then we should be colliers.
SAMPSON
I mean, an we be in choler, we’ll draw.
GREGORY
Ay, while you live, draw your neck out o’ the collar.
SAMPSON
I strike quickly, being moved.
GREGORY
But thou art not quickly moved to strike.
Somebody please explain to me how you open a play with the “carry coals” / “colliers” wordplay and make it interesting and entertaining to a bunch of 13yr olds, instead it being about as interesting as Shay’s Rebellion, the French and Indian War or any other number of “Trust me, you have to learn this because I said so” lessons they’re so used to?
Shortly we can get into it a bit and have fun with the “I do bite my thumb at you” scene, and the action picks up. I’m specifically asking about the above bit. Without simply just skipping it, or otherwise giving it ye olde “modern translation”, how do you explain why it’s there?
Well, this is amusing. I just googled “collier carry coals” because I wanted to get some idea of the working definition fresh in memory — and my own post is the first thing that came up! I honestly had forgotten about that post (written in 2008!) but it’s nice to see that I’m consistent. When explaining it to my daughter off the top of my head, I explained it now like I was apparently doing back then – this is Elizabethan “I don’t take crap from anybody” bragging to get the play started, with associated puns and wordplay to make banter out of it.
I tried to show my daughter the Zeffirelli version of the play, but it actually doesn’t start on the text. So then we went with the Luhrman version, which is closer to the text, but basically starts at “I will bite my thumb.”
So I’m curious how we’re dealing with this in the real world. Teachers, you out there? Do we skip it?
(I’m reminded of the schoolteacher friend of mine who once told me she skips Queen Mab, but that’s a whole different sacrilege…)