Operation Othello

You never know where you’ll find some Shakespeare. I saw the trailer for the new Air movie about Nike, which prominently features people talking *about* Michael Jordan but no actual Michael Jordan. So off I went to IMDB, curious to see who would be playing him. I found it interesting that the actor in that role is listed seventh, behind the actor playing his father, Julius Tennon, who doesn’t even have a headshot. So I clicked to learn more about Julius Tennon and found …

Operation Othello is “a futuristic adaptation of Shakespeare’s Othello set in the world of an elite naval special forces unit.”

Oh? Tell me more!

Othello Vintage Poster

Tennon has multiple acting credits dating back to the 1980s, not sure why he doesn’t have a headshot on file (there are plenty of photos). In fact, he’s got a production coming with Viola Davis, JuVee Productions, and this is their project. Debuting at Cannes in 2019 as a “VR series,” and I’m even more curious now about what that means:

“We believe Immersive Media is an integral part of the future of storytelling and presents a unique opportunity to bring a voice to the voiceless. As an ‘empathy machine,’ we’re excited to see how VR can allow viewers to be intimately present with powerful characters across the broad spectrum of humanity.”

“As an avid Shakespeare lover who has been lucky enough to witness and perform his profound words on stage,” Chieffo says, “I was inspired to present the original text in a way that is accessible and exhilarating to a modern audience.”

IMDB calls it a TV Movie. I’m wondering if they adapted it into something more traditional for wider release because the press release seems to imply it’s something more like a game. I don’t think we have a good name yet for immersive movies where you put on the headset and “experience” the story, but really the story is still the same no matter what you do.

So, Should We Talk About Romeo and Juliet?

I’m sure you know the news I’m talking about. The following is just stream of consciousness on the subject.

Can I see some ID, please?

There’s not a Gen-X AP English kid out there that didn’t see this film. It was always a good day when the teacher said you were going to watch a movie, but how often did they tell you ahead of time that this movie contained nudity?

In the 1980s, that’s what we had to work with – the 1968 Zeffirelli version of the movie, starring Olivia Hussey and Leonard Whiting (and Michael York as a badass Tybalt, let’s not forget him!) Let’s not forget it won some Oscars. It was a good movie. It just so happened to have a brief bit of nudity, and the naked people happened to be 16 years old. (How was that even possible? Well, it was filmed in Italy, for one. In the 1960s. Rules were different?)

Fast forward to the 90s and suddenly everybody got to watch the 1996 Romeo+Juliet with Leo DiCaprio and Claire Danes, and everything changed. The 1968 went back into the archives, and I don’t know about you, but I don’t recall it being all that big of a deal. We knew it existed. Some of us had seen it. So?

Here we are, fifty-something years later. The director, Franco Zeffirelli, died a few years ago. Guess what? Here come the stories. We didn’t want to do the nude scene. He lied to us. Could we please have fifty million dollars?

Oh, and did we mention that in 2021 she’s on record saying that she was broke? So, let’s see, built her whole career on the fame that this movie brought, now she needs money, and the guy she’s accusing is gone. Jackpot.

“Repackaging what is essentially pornography,” the article says. Have these people heard of the internet? Do we really think anybody’s wading through Shakespeare for a half-second glimpse of something that you could probably see at will by visiting a nude beach in Italy? Granted, it’s been a long, long time since I saw the scene in question (and given today’s world I’m not going to go looking for it) but in the time it would take you to fast-forward to it you could have googled stuff a thousand times worse.

By today’s standards, literally everything about this story would be unacceptable. No question. Hussey, like many child stars, has had a pretty terrible life coming out of this (mental health issues, abusive relationships, etc…) Pin that on the entire system, absolutely. There’s multiple generations of child actors that are right there with you. But to reach back fifty years, after decades of promoting both the accused (she worked with him again) and the movie (she’s spoken well of the production in the past), now you want money? I don’t think so. I hope this goes nowhere. This story, not anything about the original movie, gives Shakespeare a bad name.

Oh – for those that aren’t familiar with the term Streisand Effect, it refers to people who try to hide things on the Internet, or say “Nobody can see this!” Most of the people that hear that never saw it in the first place, never even knew about it, but now that you said that, they go hunt it down. Named for Barbara Streisand, who tried to suppress the California Coastal Records project from including pictures that showed her house, resulting in way more people seeing the pictures than ever would have if she’d said nothing.

I’m not saying that there are people out there who hear about a movie that includes a brief glimpse of a topless 16yr old and think, “Man, I gotta see that,” but, come on, this is the internet. Of course there are.

Christmas in Shakespeare’s Plays?

I continue playing with ChatGPT in as many varied ways as I can imagine. Last night I asked it to write me a blog post on “Christmas in Shakespeare’s Plays.” Here’s what I got. Let’s dissect!

The celebration of Christmas has a long and varied history, and it has been depicted in literature and art for centuries. In the plays of William Shakespeare, Christmas is often portrayed as a time of joy, celebration, and reflection.

Fine, I guess. Generic.

One of the most well-known references to Christmas in Shakespeare’s plays is in “A Midsummer Night’s Dream.” In this play, the character Bottom describes a dream he had in which he was transformed into an ass and danced at a Christmas feast. This humorous portrayal of Christmas is a lighthearted example of the way in which the holiday was often depicted in Elizabethan England.

…what? After all these years I’ve still got some pretty hefty impostor syndrome when it comes to Shakespeare, so whenever it said Bottom references “dancing at a Christmas feast” my first thought was, “He does? Why don’t I remember that?” So I went looking:

I have had a most rare
vision. I have had a dream, past the wit of man to
say what dream it was: man is but an ass, if he go
about to expound this dream. Methought I was–there
is no man can tell what. Methought I was,–and
methought I had,–but man is but a patched fool, if
he will offer to say what methought I had. The eye
of man hath not heard, the ear of man hath not
seen, man’s hand is not able to taste, his tongue
to conceive, nor his heart to report, what my dream
was. I will get Peter Quince to write a ballad of
this dream: it shall be called Bottom’s Dream,
because it hath no bottom; and I will sing it in the
latter end of a play, before the duke:
peradventure, to make it the more gracious, I shall
sing it at her death.

I even went into the Quarto versions. I’m aware that just searching “Christmas” isn’t going to yield a hit, but so far I see nothing even close. I asked on Twitter, and others didn’t seem to know, either. Hmm. Ok, moving on.

In “Henry V,” Shakespeare references the Christmas season in a more serious manner. The play takes place during the Hundred Years’ War between England and France, and it tells the story of King Henry V’s victory at the Battle of Agincourt. In one scene, the king speaks to his troops on the eve of the battle, reminding them that it is Christmas time and encouraging them to fight for their country.

It’s Christmas Time? <asks Google to remind me when St. Crispin’s Day is> October. Again, I’ll plead ignorance and ask, is there a connection here? Would you call Agincourt “Christmas time”? Ok, one more.

“Twelfth Night” is another play that features Christmas as a prominent theme. The play is set in Illyria during the Christmas season and follows the misadventures of the character Viola, who disguises herself as a man after being shipwrecked on the coast of Illyria. In one memorable scene, the character Sir Toby Belch gets drunk and sings a song about Christmas, declaring it to be “a time for joy, a time for love, a time for peace on earth.”

This is just a no. Twelfth Night is named for when the play was performed, not for the plot. It doesn’t mention anything related to Christmas or the Christmas season at all. And, much like Bottom’s Dream, I have no clue what song of Sir Toby’s it’s talking about. The word “peace” pretty much only appears in the play when people are saying “Hold thy peace.” Joy doesn’t appear at all. No version of “a time for” anything appears at all.

Overall, Shakespeare’s plays depict Christmas as a time of joy, celebration, and reflection. Whether it is through humorous references or more serious themes, the holiday is an important part of the fabric of Elizabethan England and continues to be a beloved tradition today.

And we wrap up with the generic, basically repeating the intro paragraph. This is what I used to teach my kids as the “middle school format”. Make a statement, say what your essay will show. Three paragraphs demonstrating your point. Conclude by restating your original argument.

At first glance I only picked up on Bottom’s Dream and thought, “Oh, interesting, I wonder what bug caused that.” But upon further reading and realization that it’s entirely wrong and just flat out making stuff up, my whole attitude toward the program has changed. A student tasked with looking for Christmas references in Shakespeare’s works could be given this response and assume every word of it is true. I sent me feedback to the creators (which you’re supposed to do, that’s one of the reasons it’s free for people), but I don’t expect it’s something they can address. Where do you even look for the source of something like that?

On that note, Happy Holidays, everyone! I hope everybody gets lots of Shakespeare Geek Merchandise!

Pick Your Favorite Ophelia

https://www.thecollector.com/shakespeares-ophelia-art/

When I saw the headline “9 Artistic Representations of Shakespeare’s Ophelia” I thought immediately of Millais’ Ophelia in the river. But what else? I remember a variety of Juliets and Mirandas and Ladies Macbeth, but I couldn’t remember how many interpretations of Ophelia I’d seen.

Well here we have 9 of them, and yes Millais is the first “iconic” one to get that out of the way. I’m a little weirded out that so many of them are artistically naked. Not only have I never thought of Ophelia that way (I tend to think of her as very young), but it does kind of go against that whole “her garments, heavy with their drink…” thing. This is mentioned in the article.

Pretty sure I’d seen #5 before. Never #2, #2 is creepy.

I think #7 is my favorite. How about you?

The Rosaline Trailer is … Actually Good?

I’ve been dumping all over the YA book (now movie) Rosaline that tells us the story of Romeo and Juliet from Rosaline’s point of view. You know, that character mentioned once that plays no significant role in the play. So the idea of retelling R&J really means, just making up a whole new story. Maybe if we’re lucky we get a new Rosencrantz and Guildenstern Are Dead, but I wasn’t holding out hope. There aren’t that many Tom Stoppards out there.

Well the trailer’s out and … I like it? It looks like it’s got legs to stand on its own (unlike, say, the wretched Ophelia that I couldn’t even finish).

It’s reminiscent of that heyday of high school Shakespeare comedies when we got 10 Things I Hate About You, and She’s The Man. It’s got the pacing, it’s got the humor. I laughed at a few bits. Strangely adult, for what it is (who says “blow me” in a PG-13 trailer?) but maybe that’s just where the bar is set these days.

Anyway, I’m more optimistic than I have been. Now that we see what it’s trying to be, I look forward to seeing the finished product. And I guess it’s a Hulu thing now? Which is good, I won’t have to get myself to the theatre to see it!