Of course, by that I literally mean, let’s talk about the different Shakespeare plays we all saw in the HBO Max series Succession.
Did I fool anybody?
I know, I’m late to the party. I tried watching Succession back when it was new, but my attention drifted to Ted Lasso. I knew that Succession was supposed to be this King Lear meets Fox News type of thing, but I really have to get myself in the mood to sit through that kind of doom and gloom,
Well, we finally saw down and watched all four seasons. So let’s talk about it. It’s been long enough, so I’m not going to bother warning about spoilers. But I’m also not going to tell you who ultimately gets the kingdom, either.
Is It King Lear?
The comparison here is the most obvious one. Three children all vie to control their father’s kingdom. The thing is, that’s where the comparison ends. There’s no Cordelia here. All the children are equally horrible, both to each other and to their father. For his part, Brian Cox (who can hold his own against real Shakespeare material any day) treats them equally horribly as well. There’s no Kent, no Fool, no descent into madness. Could you stretch it a little bit and go looking for those things? Sure, I guess. Has Roman got some Cordelia in him? Are Frank and Carl supposed to be some sort of Fools? I think that’s stretching it.
So What Is It?
Just like how the Lion King is as much Henry IV as it is Hamlet, we can say the same about Succession. Let’s look at a few:
Julius Caesar – A fairly obvious one, to start. You don’t get to amass that kind of power without making plenty of enemies, no matter how much you may think you’re the good guy doing the right thing, The biggest question is how many of them ultimately are there, and which of your friends will be the one that tips the scales in their favor?
Coriolanus – Listen, if you put in the work and rise up the ranks to become the hero of Company A, and then you’re unceremoniously outcast from that Company that you helped build, what’s the logical thing to do? Why, go and join their sworn enemy and try to take them down, of course.
Hamlet – I read this one somewhere. I didn’t pick up on it myself, but there’s an argument to be made that later in the series, there’s a Fortinbras character making his steady march on Denmark, ready to waltz in and pick over the pieces after they destroy themselves. I was too busy being impressed by how much he resembled Elon Musk.
Mostly, though, it’s Macbeth. I wouldn’t have said that until the final episode, but really, for those who have seen it and know what I’m talking about? The show ended and I said, “So, it’s Macbeth. That was totally Macbeth.”
What other influences did you see? People want to say Richard III for all the “I’ll take out anybody that gets in my way, including family members,” which I suppose is true. Are there any plays that aren’t about ruthless leaders who will do anything to win?
These cool puzzles were all over TikTok a few months ago. My children, at this point, are all trained to see Shakespeare merchandise that I don’t already have and grab it, so I was happy to see that my son found the Shakespeare version (it comes in several different versions).
It’s called a “Book Nook,” and the idea is for it to sit on your bookshelf and represent this complete little world. At least, that’s how I interpret it. I’ve made a video so you can take a look inside. It’s quite detailed – almost all of the individual books have accurate titles, including plenty of Shakespeare (though this is probably not obvious in the video).
I will say that it was quite a challenge to put together. The entire thing is flat-packed like Ikea furniture, so you must snap out every piece. The books are all two pieces – the body and then a sticker – so you can imagine where there are shelves or stacks of multiple books. There are potted plants, rolled-up posters…even the open book sitting on the comfy chair is a fancy sticker. My son eventually had to help me put it together at the end. My hands were just too big (and my eyes too old) to see it through to the finish. But that makes it more special.
I love the depth of dimension it manages to get. Note the staircase in the back and the upper balcony. The mirror really gives that illusion of a continuing space.
If you like puzzles, it’s definitely a neat project. Make sure you have a cool place to show it off. I definitely think it needs to sit between some books – if you just leave it standing on its own it looks a little like a phone booth.
I did not expect to be reviewing Anyone But You. It is a generic rom-com featuring a young lady, Sydney Sweeney, who I know only from my children, telling me about Euphoria. The trailers do not suggest much chemistry. This one feels like it’ll come and go pretty quickly.
Until I realized that the plot is about a man and woman who look like they hate each other, but only because they really like each other and are both afraid to admit it. Does this have Much Ado About Nothing vibes? Maybe I can pull some content from it.
Until I realize that it is a deliberate modern adaptation! Very cool. It’s been a long time since we had something like this. A friend mentioned She’s The Man the other day, which got us talking about 10 Things I Hate About You. But those were twenty years ago. Time for something new? The IMDB page calls it a “loose adaptation.” The commercials don’t seem to mention it at all. Let’s see!
The characters are literally named directly from the play. Sydney Sweeney’s Bea is paired up with Glen Powell’s Ben. Later, we’ll meet her father, Leo, Ben’s best friend, Claudia (now cast female), and her partner, Halle (I guess they couldn’t do much with Hero). Meddler Pete (perhaps an appropriately-cast Pedro character would have been a little over the top?) will hang out around the edges of the story, and Jonathan will be about as close to a villain as we’re going to get. So far, so good. They didn’t have to do that. That’s the kind of thing I do when I play with this idea — start with the original names and then shorten them backward until you get a modern, acceptable equivalent. Maybe that’s what the writer did here?
The premise tracks pretty closely as well. We get the backstory that the original doesn’t give us – we see Bea and Ben have a lovely meet-cute that ends badly due to a misunderstanding, setting up the whole “I really liked him/her, and I’m not over how hurt I am, that it didn’t work out” dynamic. Sometime later, they are reunited when Ben’s friend Claudia announces her wedding to Halle, Bea’s sister. Even better, it’s a destination wedding in Australia.
Let the fireworks begin! They do what they can here with the banter back and forth – the writer is no Shakespeare. Every time B&B is together, they take cheap shots at each other in a wholly unrealistic way. If two friends-of-friends in real life acted like that, their friends would make it a point to keep them apart or at least tell them to shut up. But in our movie reality, they all get together and say, “Well, it’s clear that they both want to jump each other, so let’s set that up.”
It eventually goes off to be its own thing – Ben actually likes the Margaret character, and Jonathan is Bea’s ex-boyfriend. Bea and Ben quickly see through the “get them together” plan and decide to fake it to get everyone off their backs. So it’s got some amount of original content, which I can’t fault it for.
People who keep telling me that The Lion King is Hamlet need to watch a movie like this to see how you do an adaptation. On the one hand, this thing isn’t trying to be Shakespeare. The comedy is tired and obvious, going for the easy physical laugh whenever it’s available rather than trying to do it with dialogue. On the other, it literally sprinkles Shakespeare quotes – actually attributed to Shakespeare – throughout the movie. People walk by billboards with Shakespeare quotes. Again, didn’t have to do that.
So yes, we have an R-rated modern romantic comedy that’s banking mostly on “Sydney Sweeney in a bathing suit” popularity, but once you’re in your seat, it’s not afraid to say, “Ha! This is actually Shakespeare, psych!” I’m pleasantly impressed. Regular reviews talk about the chemistry (or lack of) between the stars and the lovely scenery of Australia. But I’m just looking for the Shakespeare references. I wish they leaned into it more heavily in the marketing, and more people might give it a chance. I wouldn’t have given it a second thought without the Shakespeare connection. And here we are.
A funny thing happened recently when Bardfilm mentioned that he’d just seen Love At First Sight on Netflix and recommended it the next time my wife and I were looking for something to watch. We talk pretty often, but almost always about Shakespeare. So, it was a bit out of sync with the norm.
Well, my wife and I had a movie evening tonight and decided to watch it. In the first scene, our narrator character is reading from A Midsummer Night’s Dream. All right, Bardfilm, I see you 🙂
The film is a brand new 2023 release, based on the book “The Statistical Probability of Love at First Sight,” authored by Jennifer E. Smith. It stars Haley Lu Richardson (The White Lotus) and Ben Hardy (Bohemian Rhapsody). So it’s not some “straight to DVD” anonymous release that would have collected dust on a Blockbuster shelf. It’s a legit project.
If not for one thing, we wouldn’t be talking about this movie. It is generic on top of generic—even the title. I searched IMDB and came back with nearly 100 exact matches. I understand that it’s cribbed from the original book title and probably plays better than “Statistical Probability” of anything, but this is what writers are for. Surely, somebody could have grabbed a different catchy line to use.
Then it does the “what are the odds?” thing to the extreme. Our male lead is obsessed with the probability of things, so he goes around quoting statistics. Did you know that 1 in 50 relationships begin in an airport? But 50% of marriages end in divorce? In fact that’s the entire structure of the movie, as Jameela Jamil plays an omnipresent narrator who keeps showing up in unusual places to let the audience know that there was only a 0.06% chance of a happy ending, unless X Y Z happens…
So why, then, are we talking about it? Because for some reason, there’s the promise of a lot of Shakespeare in this one. And I say it like that for a reason. As noted, we open with the narrator reading from Dream. I wonder if our story is going to parallel Shakespeare’s in some way. Or if perhaps our narrator is a cleverly disguised Puck, running around and messing with lovers for his/her own enjoyment? Nah.
Later, we glimpse the hero’s parents, a pair of thespians, banging out a bit of Dream for our amusement. Later, there’s an entire Shakespeare-themed party where everyone dresses up as Shakespeare characters and performs. Only we don’t get to see it. We see people in costume, and we’re given the numbers of how many of each character there are and what speeches were performed, but NOBODY ACTUALLY DOES ANY SHAKESPEARE ON SCREEN. Aw, come on! There’s a specific “Who are you supposed to be?” / “I’m Macbeth” moment … but at no point does this factor into the story. Nobody actually performs any Macbeth.
There’s a moment when our hero is running around looking for our heroine. They’re at a fancy house. I have that moment where I scream, “OH IF SHE COMES OUT ON A BALCONY….:” but even that, the most obvious of obvious Shakespeare opportunities, doesn’t pan out.
Bardfilm and I were left pondering why the story would go there. There is so much Shakespeare and yet so little. Shakespeare for the masses is a tricky business. Drop in some Romeo and Juliet, and everybody’s right there with you. But push your luck and start bringing up stuff people didn’t study in high school, and you’ll lose them. This one misses obvious chances while leaving in the bizarre ones. There’s more Richard III than Romeo in this.
Take a trip with me. It’s gonna be a long one, but hopefully worth it. And there’s even plenty of Shakespeare.
I was born in 1969, so I’m not exactly “Woodstock” age. But that didn’t stop me from loving that era. My college years were spent with a lot of long hair and tie-dye (but not any drugs, in case anybody thinks that’s implied). Somewhere along the line I found HAIR, I can’t remember. I probably recognized the “What A Piece of Work Is Man” song then, but I don’t think I knew how much Shakespeare was in there.
A few years out of college, my girlfriend (whose pet name was “Starshine”) and I travel to DC at my friend’s invitation to go see HAIR live for the first time. After a microphone-wielding hippie is surprised to discover that we know the words to “Good Morning, Starshine,” we’re pulled up on stage to dance with the tribe. Core memory locked.
Fast forward a few years. I have taken myself away for the weekend, traveling to see two shows – King Lear and HAIR. The girl from the previous story is long gone, but I’m dating someone new who will ultimately become my wife. She joins me for HAIR. Hey, we’d just started dating; I wasn’t going to make her sit through King Lear with me so soon (that’d come almost 20 years later).
Years go by, we get married and have kids. I’ll tell you something about when you have kids. You will sing lullabies. You will also get sick of singing the same songs repeatedly, so you will sometimes sing anything you know all the words to. Do you know what I sang to my kids? “Gimme a head with hair, long beautiful hair….” But also, “What a piece of work is man, how noble in reason….” because if you didn’t know, that entire speech is set to music in the show. Hey, I thought, they’re too young to understand the words. But they’re going to end up memorizing it. And one day, they’ll understand.
I have a very specific memory of my 3yr old son demanding that I sing Shakespeare one night. When I started to sing “What a piece of work is man,” he stopped me and demanded that I sing Shakespeare, not Hamlet. He wanted Sonnet 18. Who thinks I’m kidding?
It’s not a stretch to say that my children have grown up literally since birth sharing my love for Shakespeare due very much to the musical HAIR. This show holds a very special place in my heart. It represents both my youth and my journey to parenthood, all set literally to the tune of Shakespeare.
And today, we came full circle as I took them to see the show for the first time at the Seacoast Rep in Portsmouth, New Hampshire. I tried very hard on the hour ride to the theatre not to bore them by talking their ears off. “Remember how I used to sing you what a piece of work is man? That’s from this show. I mean, well, it’s from Hamlet, obviously, but it’s set to music because of this show.”
Photos were absolutely not allowed during the show (for obvious reasons if you know the show). So with permission, I grabbed a few of the set before the show began.I love the Tarot card.I think one of my daughters has that tapestry.
Tears of joy rose in my eyes as we sat down to a 30-year flashback. Only now could I experience it with my kids. I squeezed my wife’s hand and said, “This is my youth. I am so very happy right now.”
I told my daughter after the show that openings are everything to me. I have heard “Two households, both alike in dignity” a thousand times. But still, every single time I hear it live? Lightning bolts up the spine. It’s like that first jolt that tells you the roller coaster has started. So it is with the opening bars of “This is the dawning of the age of Aquarius…” I am instantly transported.
I can’t and won’t review the whole show here because it’s not a Shakespeare show. There is, however, a lot of Shakespeare in it, so I think I’m justified in talking about it. Let me hit the highlights:
During a hallucination sequence where Abraham Lincoln comes out, followed by John Wilkes Booth, Booth is dressed as Hamlet. He’s literally carrying a skull. I have no idea if this is usually how it’s played (I can’t remember ever seeing it before) or how many people in the audience get that reference, but I absolutely loved it.
I wish I had a picture to justify this next one. Work with me for a second. This show had circus acrobatics during the slower songs. There were aerial silks and the hoop. I wish I knew if it had a different name. The hoop is on the ground, and somebody (sometimes two somebodies) performs inside it. Well, during the What A Piece of Work Is Man song, the aerialist(?) who’s been working the hoop comes out in a flesh-colored speedo and poses, and I think, “Oh, shit, that’s Vitruvian Man!” So we’re mixing our Shakespeare with da Vinci? Awesome.
When Claude wakes up from his hallucination (immediately after this song), Berger says to him, “Welcome back, Shakespeare.” I have no idea if that’s always in there or not, but I love the direct shout-out to the man. There’s a lot of American history in this place, but I know of no overt Shakespeare references in the dialogue.
The finale kicks in for me as the opening does; it sends lightning bolts straight up my spine. There’s a lot of Shakespeare in it, too – the background harmony is singing Romeo’s last words to Juliet before seamlessly moving into “The rest is silence…” When you know it’s there, it’ll give you chills every time. Unfortunately, I don’t think it stood out this time, but that’s only because Claude, who was singing lead at that time, destroyed it. He’d been doing a stellar job all show, but most of his songs were high-energy numbers coupled with frantic dance numbers. The finale is just him bringing the house down, and I’ll tell you, he hit a couple of notes that there touched my soul. Damn.
I have to wrap this up it’s gone on too long. During intermission, a member of the tribe came out to chat and I told him what I said above, that this has been a 30-year trip for me that now I get to share with my kids. It would be appropriate for this show to talk about psychic powers, and my man got the message. During the finale he came into the audience to grab my kids and drag them on stage to dance with the tribe, just like I did in another life. (Unfortunately, he grabbed two out of three, probably because he only had two hands. And it was a small theatre where I think only my kids were brought up, so there wasn’t a steady stream of people my daughter could join. When I went, it was a big stage and dozens of people were pulled up. So she chose to stay in her seat.)
Thank you, Tribe, for a memory that I hope with all my heart, keeps the cycle in motion. Who knows, maybe thirty years from now they’ll be writing somewhere for their own audience, telling them about how they brought their children.
