The Results Are In!

Several weeks back I posted a poll asking where we should meet up online now that Twitter’s jumped the shark and all the good people are disappearing. Of course, stupid Mark Zuckerberg had to go and ruin the fun by announcing Threads on basically the same day and immediately registering fifteen bajillion users in thirty seconds. (Of course, most of them immediately said, “Oo wait what ick get it off get it off get it off!” and learned that if you try to delete the app, it also deletes your Instagram…)

But that’s neither here nor there. People filled out the survey (though not nearly as many as I’d hoped), and they deserve to see the results. So here we go!

First, I asked what accounts people already had:

Not much of a surprise here. Once you remove Twitter from the equation, Facebook and Instagram are the logical leaders. They’re also the oldest kids on the block. Nice to see Mastodon making a showing, though. And I’m happy to see that Tiktok is not taking over this conversation.

So, then, where would people prefer that we go?

And it’s Mastodon for the win, just edging out Bluesky!

Sure, we only got 15 votes, so that’s a difference of one vote. But nobody said this was binding 馃檪

As I said at the beginning, Threads really screwed this up by just kind of saying, “Hi, we’re the elephant in the room.” Everybody’s on it, practically by default, but (a) the app’s terrible, (b) there’s no desktop support, and (c) nobody’s really on it yet. So it’s not like there’s a clear winner yet.

Where Will We End Up?

Here’s what’s going to happen over the next few days. I’m going to leave up my automatic posting of blog entries to Twitter, mostly because, why not, it doesn’t cost me anything, and it’s easy traffic. But I don’t think you’re going to be seeing any live conversation from me there anymore鈥攏o dropping quick links I found. No asking random questions I just thought of. I need to focus on building a new following on a new site.

I think we all have to give Threads a chance, whether we like it or not. They’ll change a few things in the app, and suddenly, it’ll be where everybody wants to be. So, if it’s not obvious, you can find me there at ShakespeareGeek. Does anybody know how to link that? I’m on a desktop.

But Mastodon’s the most active community, and it was the place where most people said they have an account and want to go. So it’s only logical that I go there as well. You can find me here: https://toot.community/@ShakespeareGeek I know, it’s weird how all Mastodon servers have their own host. It takes some getting used to. But it’s cool – they all talk to each other.

Farewell! God knows when we shall meet again.

Romeo and Juliet Act IV Scene III

Where Should We Go When Twitter Dies?

I know that not all readers of ShakespeareGeek are also followers on Twitter. But there’s a very large overlap. Most of the real-time daily discussion that happens these days is on Twitter. Don’t get me wrong; the other day, I was saying how I miss the days of flame wars inside comment threads on a blog like this one. But Twitter and the others have made it so much easier to have one place to check on and interact with all the things that you love. I get it. I’ve been on Twitter since 2008, and there are thousands of you following my hijinks.

Twitter Logo gravestone
This is supposed to be a Twitter gravestone, are you getting that?

Unfortunately, that looks like it’s ending, though, as Elon Musk systematically destroys the platform. Maybe it’ll technically remain viable, of course. I don’t think it’s going to shut down. But it’s not *fun* anymore. We used to enjoy being on Twitter, waiting for Top Trends that we could in any way turn into a Shakespeare joke or pun. When that didn’t work, we’d start our own #ShakespearePunHashtag and try to get that trending. Now it’s nothing but sports I don’t watch, reality TV I don’t watch, and godawful conservative political madness that I wish I didn’t have to watch.

So, then, let’s leave, yes? There are plenty of options. But where? Ay, there’s the rub. It’s taken me fifteen years to find those thousands of you and feel like I’m not just shouting into the void. Each new channel – Tribel, Bluesky, Mastodon, etc… – feels like starting over. I’m not going to lie. I’m not sure I’ve got the energy for that.

But then I had an idea. Why not ask? Let’s take a poll and figure out where the majority thinks we should go! Of course, nobody’s making you, but it’s better than random, right? If you’ve read this far, please take a moment to complete the following survey. It will only be useful if a large enough number of people respond. I’ll post a follow-up as soon as we get a clear winner.

Here are my quick thoughts on the subject since I know I’ve been rambling on for too long already…

  • I like the blog (the site), and it’s not going anywhere. People have always been welcome to add comments and get a discussion going on any post that interests them.
  • We also have a Facebook presence (https://www.facebook.com/shakespearegeekdotcom) which is a little better regarding discussion threads, but I know it’s got that reputation of being as old as blogs.
  • I have an Instagram and a Tiktok, but I don’t really use them. My own personal opinion is that Shakespeare’s a words words words game, and I want to write and read words, lots of them, back and forth. Not just a few that somebody’s slapped into a picture of a sunset and turned into a meme. I get why they’re popular,
  • I’d happily plug Reddit, too: https://www.reddit.com/r/shakespeare, where I am the moderator. But Reddit’s going through the same “ownership’s an asshole” growing pains that Twitter is, so I can’t promise it won’t suffer the same fate.
  • I’ve got accounts on most of the services I listed below, and I’m happy to start posting on any of them if we get a majority going.

Ok, enough of that. On with the voting! Absolutely share this post (or the survey specifically) and absolutely get a discussion going in the comments for this post if you feel like I missed anything important. Let’s remind ourselves why we all do this in the first place, shall we?

[ays_survey id=”2″]

Our Newest Shakespeare Resource

As a computer programmer, one of the things that drew me to Shakespeare so many years ago was that it’s just an extensive public-domain database. Likewise, as a web developer, I’ve always had ideas for what kind of interface I would make for browsing Shakespeare’s work. My favorite’s always been the MIT site. I like the idea of having the entire play on one page so I can easily search for a word or quote to ensure I’m not about to say something wrong. Well, I don’t know if you noticed, but the MIT site went down at some point several months ago and … stayed down. Just like that, a daily Shakespeare resource that had been around for 30 years (one of the few that can say it’s been around longer than me!) was gone, with no word about what happened.

That sounds like motivation to me! With absolutely fascinating help from the various AI tools now available, I am exceedingly proud to present my latest contribution to the Shakespeare Universe…

The Complete Plays of William Shakespeare

William Shakespeare is watching you.

Feel free to go check it out! But then come back so I can tell you what it’s got.

Behold The Latest Searchable Shakespeare Resource Site

  • Each entire play is available on a single web page, so we keep that search ability I love.
  • Each line tells you context. One of my biggest problems with the MIT site is that I’d find the line I wanted and say, “Ok, where did this occur so I can cite it properly?” Now we know. Each line tells you.
  • Better – the reference is a link. You can jump right to that line and save that URL. Perfect for sharing, which I hope people do!
  • Summaries! I wanted to consider the possibility that some visitors may need help understanding what they’re looking at. This is one place the AI helped. Every play, act, and scene has an AI-generated summary. They are hidden by default to stay out of the way, but if you hit that button in the footer, you can check them out. Let me know what you think!
  • Quick links to each act so you can bounce around the play easily without having to scroll all over the place.
  • This new resource can also be found in the main menu under Plays, so you never have to go hunting for it.

Feedback Wanted

I hope everybody enjoys this new Shakespeare resource! Please let me know what you think. This is the initial launch, so I am sure of two things:

One, there will be bugs. I have not been through every line of every play yet. I wrote code to generate this, obviously. If there are places where the text formatting went off the rails a bit, my version probably does as well.

Two, I will keep changing it. Whenever I poke around, I think of something else I want to add. Most importantly, I plan to add a “Download Printable Version” button to each play. Because printing a web page never really works how you want it to. I also wonder whether I could add some “resources” type thing. Scenes would come with links to watch their performance on Youtube or something. I don’t want it too dense. I think the simplicity of the “entire play searchable on one page” is most important. But it’s fun to explore what will make it the most helpful resource it can be.

So, there you go! Take it for a spin, and let me know your feedback. Did you break it? What should I change or add? I can’t wait to hear from everyone! Tell all your friends! Shakespeare makes life better!

P.S. – Oh, the MIT site then went ahead and stole my thunder by coming back online. *shakes fist* I could have left that part out of the story but that’s not what we’re about here people. The more Shakespeare resources the merrier!

Caliban’s Conclusion

I asked an AI what happens to Caliban. Specifically, all I asked was this:

Write me a mysterious but thrilling 500 word story on what happens to Caliban after Prospero and Miranda leave him alone on the island. Write it for a fifth grade reading level. One element it must include is the return of Ariel.

AI-generated Caliban and Ariel having a chat
AI still can’t grasp that our Ariel isn’t a mermaid, but I think the Caliban came out pretty good.

I didn’t play with the prompt much, I think this is literally the first iteration. I was not ready for what I got back.

Once upon a time, on a mystical island, there lived a creature named Caliban. Caliban was a strange being, half-human and half-monster, abandoned and left to wander the island by his former master, Prospero, and Prospero’s daughter, Miranda.

As the days turned into nights and the years slipped away, Caliban found solace in the beauty of the island. He roamed freely, discovering hidden caves, glistening waterfalls, and mysterious creatures that called the island their home.

One moonlit evening, as Caliban sat by the shore, gazing at the shimmering waves, a familiar voice whispered in the wind. It was Ariel, the magical spirit who had once served Prospero. Caliban’s heart skipped a beat as he turned to see Ariel hovering before him.

“Caliban,” Ariel spoke, his voice as ethereal as the breeze. “I have returned to this island to guide you on a remarkable journey. Prospero’s magic has faded, and it is time for you to uncover your own destiny.”

Caliban’s eyes widened in awe and curiosity. He eagerly agreed to follow Ariel and discover what lay ahead. Together, they embarked on a thrilling adventure, braving treacherous mountains, crossing enchanted forests, and unraveling secrets hidden deep within the island’s heart.

As they ventured deeper, they encountered ancient spirits who shared tales of forgotten magic and the power that resided within Caliban. They revealed that he possessed an extraordinary gift, a connection to the very essence of the island itself.

With each step, Caliban felt a surge of newfound confidence. He learned to harness the elements, commanding wind and water, understanding the language of the trees, and befriending the creatures that dwelled in the shadows.

As Caliban grew stronger, the island responded to his touch. Flowers bloomed brighter, animals danced with delight, and even the trees whispered their secrets to him. Caliban felt a deep sense of belonging, knowing that he was an integral part of this magical place.

One fateful day, when the sun kissed the horizon, Caliban stood atop a cliff overlooking the vast ocean. He embraced his newfound powers, calling upon the winds to rise. His voice echoed across the island as he chanted ancient incantations, commanding the ocean to reveal its secrets.

With a mighty roar, the sea complied. From its depths emerged a magnificent ship, guided by the very currents that Caliban had summoned. On the ship stood Prospero and Miranda, their eyes filled with wonder and astonishment.

Prospero’s face softened with remorse as he realized the incredible growth and strength Caliban had achieved in his absence. He approached Caliban with humility, acknowledging his former servant’s newfound power and the greatness that resided within him.

And so, Caliban and Prospero reconciled, forming a bond built on respect and understanding. Caliban chose to remain on the island, to protect its enchantment and continue his magical journey, guided by Ariel’s wisdom and the love of the island that had become his true home.

And as the ship sailed away, carrying Prospero and Miranda into the horizon, Caliban embraced his destiny. He stood tall, a guardian of the island’s magic, ready to write his own tale of mystery, adventure, and the power that lies within the heart of a forgotten soul.

Not bad! It went to “Caliban had the magic of the island in him the whole time” all by itself, and threw in a reconciliation with Prospero even though I didn’t ask for that. Sure, it doesn’t exactly map to any character development within the original, but I don’t pose these hypotheticals for accuracy, I do it for creativity. I mean, come on … the power that lies within the heart of a forgotten soul as we leave Caliban on the island? That’s pretty good stuff coming from a computer.

Follow My Mother

Hamlet is typically seen as a study of father/son dynamics. You’ve got Hamlet avenging his father, Laertes/Polonius, Fortinbras, and his father. However, my interpretation of the play has always been more concerned with his relationship with his mother. “It’s oft been my contention that was ultimately spurs Hamlet to action is the death of his mother. “Mother, you have my father much offended,” might be my favorite line in the play. It truly captures his anguish at the position in which he finds himself. But when he tells Claudius, “Follow my mother,” what exactly is he thinking?

Follow My Mother

Recently, however, a different line caught my eye. In the final scene, when all is revealed, Hamlet knows that Claudius poisoned Gertrude. We’ll set aside for the moment the fact that Hamlet has also proven that Claudius murdered his father, too. Pouring poison down the dying king’s throat, Hamlet says, “Follow my mother.”

Here’s my question. Hamlet knows where his father is and why:

I am thy father’s spirit,
Doom’d for a certain term to walk the night,
And for the day confin’d to fast in fires,
Till the foul crimes done in my days of nature
Are burnt and purg’d away.

Act I Scene v

Without a chance to confess his sins and cleanse his soul, Hamlet’s father doesn’t get his ticket into heaven. This is the whole issue of why he didn’t kill Claudius when he had the chance:

Now might I do it pat, now he is praying;
And now I’ll do’t. And so he goes to heaven,
And so am I reveng’d. That would be scann’d.
A villain kills my father; and for that,
I, his sole son, do this same villain send
To heaven.

Act III Scene iii

Hamlet’s already made clear that he doesn’t think Claudius deserves to be sent to Heaven. So when he says, “Follow my mother,” where does Hamlet think his mother has gone? Does he believe that his mother’s sins have damned her?

Hamlet and Gertrude
Hamlet and Gertrude

Hamlet’s been concerned (some might say overly so) with Gertrude’s sinful behavior throughout the play. The word incestuous appears five times in the play (twice said by Hamlet’s father, three times by Hamlet). But when he confronts his mother in her bedroom, he still feels that there must be an opportunity for redemption because he tells her not to let the “bloat King tempt you to bed.”

Still, she’s sent to the undiscovered country with no opportunity to confess her sins, just like her first husband. Will she, too, be doomed to walk the night? Does this thought even cross Hamlet’s mind? The ghost did tell him, “Leave her to Heaven,” so she doesn’t get to escape judgment.

I don’t know if there is an answer. If I found a half dozen actors that have played Hamlet and asked them, they may never have thought of it. That’s part of the fun of Hamlet, that you can read it dozens of times and constantly find something new. Even researching this post, I found something else I’d never spotted before, which will probably become a new post on its own.