And then, suddenly…Shakespeare!

My daughter is starting to look at private schools, and I’m trying very hard to let her drive it at her own pace and not be one of those dads that asks all the questions. So I’m picking my spots on when and how to bring up Shakespeare.

The typical pattern, for context, is that you’re assigned a current student who shows you around campus and answers questions, both from the child as well as the parents. Then you sit down for a more formal interview — first your child goes in, then the parents.

School #1:  One of the biggest and best in our area, and probably her first choice.  We’re shown the theatre and are told that there’s a fall musical, as well as a drama production. I scan the posters on the wall and see Midsummer Night’s Dream.

I ask, “What sort of drama productions do you do?”

“Oh, all kinds,” our guide tells me.

“Any Shakespeare?” I ask.  “I saw the Midsummer Night’s Dream poster back there.”

“Oh we do a whole variety of shows,” she tells me.  “Most recently we did this one play called Columbina, I think it was?”

For a second I think she’s actually trying to say “Coriolanus”, which would have impressed the dickens out of me.  But alas she is not, she’s talking about a modern piece that I have to assume was about the events of a post-Columbine world.

Afterward I learn that my daughter is even more forward that I am, and during her interview asked, “Do you have any Shakespeare classes?”  That’s my girl!  She gets the answer that there will be some Shakespeare, yes. There are not dedicated classes, but it’s covered in the English classes.  Which I guess is the best I can expect.

School #2: We’re going around, I’m looking to pick my spot. I have learned from the first school the general pattern of how these things go and the terms to watch out for, so I’m waiting for her to bring up whatever performing arts programs they offer in case Shakespeare comes up organically.

We’re walking through the visual arts area and the guide is going on about various offerings, and I’m only half paying attention when I hear “…blah blah blah, blah blah Shakespeare blah.”  (She wasn’t really saying blah, I just don’t know the context of what she was saying.)

I lift up my head and it appears to me like my wife and daughter are now looking at me, to see if I caught the Shakespeare reference.  But the girl has not stopped talking, so I’m playing it all back in my head to figure out if I can guess.  I can’t.

“Did you just say Shakespeare?” I ask.

She looks confused.  “I….don’t think so,” she says.

I look at my wife and daughter, who also look confused. I have apparently imagined this entire thing.

Tour guide takes a moment to run back in her head everything she did say, because now she’s wondering why I would randomly have brought up Shakespeare in the middle of the visual arts building, but nope, Shakespeare apparently has not come up.  “We’re big Shakespeare fans in my house,” I tell her, trying to cover the awkwardness, “So whenever somebody mentions Shakespeare I tend to whip around and look to see where it came from. Guess it was a false alarm.”

That was literally the only Shakespeare reference at this school. My daughter doesn’t even remember if she asked about it.

School #3:  Big school, many buildings, lots of kids moving around in all directions.  We are in the arts building and walking up a flight of stairs when we pass two male students, one of whom is clearly carrying a jester’s hat and a sword. A legit metal sword.

Wondering if it’s perhaps a Renaissance Festival kind of thing, or maybe they have Society for Creative Anachronism on campus, I ask our guide, “Ok, are we going to find out why that guy’s walking around with a sword? I have to know.”

So she flags him down.  “David!  This gentleman wanted to know why you have a sword.”

He says something to her that I don’t hear because she’s had to open a door and follow him into a hallway, but he’s coming back with her when she returns.  “Performance project,” she says.

One of the boys explains, “It’s a great class. Our teacher Mr. <whatever> assigns parts and then you have to act them out in class.”

“So,” I ask, “What are you performing?”

Hamlet,” they say.

I turn to my daughter.  “We’re done,” I tell her.  “You’re going here.”  I explain that Shakespeare is huge in our house and we’re very excited to hear them say that.  I ask what part specifically they’ll be performing.

“Today,” says one boy, “I will be killing Polonius,” motioning to the other boy.

“Great scene,” I tell them.

“Act 3,” says Polonius, and I wonder whether he knows the scene number and has just forgotten it. That’s ok because on the fly I’m not sure I’d remember the exact scene either.

I’m seriously tempted to sit and have a discussion with them, because honestly I think that the best part of that scene is Hamlet’s confrontation with Gertrude, but they don’t have a Gertrude with them so I’m temporarily at a loss as to what to say next.  “Break a leg,” I say, and we carry on the scene.

Not ten seconds later I’m playing the scene in my head and decide that what I should have said was, “How now, a rat? Dead, for a ducat! Dead!”  Then that made me think of those episodes of the Cosby Show where Theo has to do his Shakespeare homework and magically all of the dinner guests his parents have invited over just happen to have the play memorized and begin reciting the big scenes.  In other words, cool in my head, but nerdy and embarrassing out loud. 🙂

Next time, though, for sure 🙂

Darkside : Tom Stoppard + Pink Floyd

I’ve long been a Pink Floyd fan. I may have mentioned that. My kids know Sonnet 18 because David Gilmour’s solo version of that sonnet set to music used to be my ringtone.

So when Pink Floyd references show up in my Shakespeare feed I double check to see what’s up. And then somebody says “Hey remember when Tom Stoppard wrote a play set to the music of Dark Side of the Moon?” and I’m all, “wait..what?”

http://www.chicagotribune.com/entertainment/theater/ct-darkside-pink-floyd-play-in-chicago-20150917-story.html 

Anybody know this “Darkside” play?  I’m looking into it now. Never heard of it.

Which Play Is The Most Magical?

Raise your hands if you’re familiar with the magical duo of Penn and Teller?

Prospero conjures a tempest while Ariel watches.

Now keep them up if you knew that Mr. Teller, the “quiet one” of the group, is an accomplished Shakespearean director?

A few years ago he did Macbeth, and now he’s got a production of The Tempest touring the country. I’ve seen both, and trust me – when a professional stage magician does Shakespeare, you’re gonna see some stuff. I don’t think I’ll ever forget the image of Ariel drowning Ferdinand center stage, while his father watched.  Granted a bit off book, but an amazing start to the show.

The other day I decided to Tweet to Mr. Teller asking if his Tempest would be made available on DVD (I have a copy of his Macbeth). He wrote back that he’d love to, but union rules make filming stage productions difficult and expensive.

That stinks. But! It started a conversation about what play he should do next?  The obvious choice would be Midsummer Night’s Dream if you’re going for the “plenty of magical stuff to play with” angle.  But if you’ve ever seen Penn and Teller’s work, they do prefer to go dark. As in, open The Tempest by actually drowning Ferdinand even when you don’t have to.  There’s not a lot of blood in Tempest (none, really), but that’s why he did Macbeth first :). So a Dream from Teller would be more like a nightmare.  A crazy awesome nightmare.

I suggested Richard III, which seemed to have a good combination of ghosts and gore. Hamlet and Julius Caesar would be two other pretty logical choices as well.

What other plays might lend themselves well to the magical treatment? Obviously we’re picking all the easy ones where Shakespeare added a magical element, but that doesn’t have to be the case. What about a magical King Lear? I’m thinking specifically about him hallucinating at the end, but as I type that I realize it’s a bit too Jean Valjean from Les Mis.

A Shakespearean Face Off

And by that I mean the SyFy Channel’s reality show, Face Off. The latest episode (season 9, episode 7) is a Shakespeare challenge!  Apparently (I can’t find the full episode online yet), the task is to make up male mannequins like female characters from Shakespeare.

Here’s a sneak peek of the episode, and I’m excited that the first character we hear about is Sycorax.  Not Juliet, not Cleopatra…Sycorax. A character that most audiences won’t even recognize, and for the record never actually appears in the play :).  What’s interesting to me is that the contestant even describes her as ugly.  Given that she’s pregnant when she arrives on the island, I always thought that at least in her younger years, she could have been quite the looker.  Prospero even describes her as having blue eyes, even after all those years.  Must have been memorable for him!

UPDATE: The show aired, so check out the recap. Some fascinating stuff here, like how one guy got Hippolyta and somebody else got Titania (will they end up looking at all similar?)  Or how somebody else gets Queen Mab, another character that technically doesn’t show up in the play!  And let’s not skip over the pregnant Hermione.  For 16 years? Really?

Pictures of Queen Mab and Ophelia included, and it’s easy to see why the Ophelia guy goes home. She looks more like zombie Gertrude, at best.

The full episode is not yet online, but I’ll try to update this post when I find it.

Why King Lear Is Not One of the 101 Greatest Plays

Michael Billington, theater critic for The Guardian, is writing a book entitled The 101 Greatest Plays….and he comes right out and tells people, King Lear is not on the list. I encourage you to check out the article, as it does go into detail about a number of other non-Shakespeare works that he did choose to include.

But, of course, we need to know his argument against Lear, so we can discuss it.  Here you go:

I could offer a robust defence of my omission: the play touches great heights but is structurally unwieldy, shows a punishment disproportionate to the original sin and contains in Edgar one of Shakespeare’s most unfathomable characters.

What say ye, oh Shakespeare Geek readers?