Kickstarting That Shakespeare Kid

A lifetime ago, before this blog existed and I was searching around for a place to hang out and talk about Shakespeare, I saw only one place –  News on the Rialto, a Shakespeare magazine run by Michael LoMonico, who has got so many Shakespeare and education credits to his name that I don’t know how to list them all.

Well, Mike’s written a young adult novel called That Shakespeare Kid, and he’s got a Kickstarter going to get it published.  You know me and you know my desire to get my kids introduced to Shakespeare as young as possible, so I’m all over a project like this.  In fact, I got an early review copy and let my 11yr old have at it.

The plot surrounds Peter, a 12yr old boy who gets hit on the head with a Complete Works (Riverside, because I know the geeks will be curious), and wakes up only able to talk in snippets from Shakespeare.  With the help of his friend Emma he manages to make his way through the regular middle school adventures until a viral video gets him onto the Today Show and he starts to wonder if he’ll be a freak forever.  This being a young adult Shakespeare novel you just know that the two will find their way into Romeo and Juliet. Which if you think about it makes perfect sense because that’s the play that our young adult reader is most likely to be studying.

I’ve not yet read the book through, because I did not want to inadvertently influence my daughter’s opinion (by saying things like “What chapter are you on? Oh, I loved the part when he said….”)  My daughter quite liked it.  I asked whether the Shakespeare bits were all the usual stuff that she’s heard around the house a hundred times (Wherefore art thou, to be or not to be, double double, etc….) she said, “Oh, no, absolutely not.  Most of it I’d never heard before.”  Which is good!

In truth I’m an easy audience, and almost any project that has Shakespeare and kids in it is going to get an upvote from me.  When you’ve got somebody with the credentials of Mike LoMonico and all the years he’s spent honing his craft with the resources of the Folger at his disposal, how can you go wrong?

How Much Do I Love Shakespeare? Apparently $120 Worth.

Last night we attended a fundraiser for the town’s baseball league, and part of the activities involved a silent auction.  For those that have never seen one of these, various gift baskets are donated (in this case each team was responsible for finding a donor), and then they’re put on display with a list of what’s in them, their actual value, and then a sheet of paper where you write down your name and what you bid on it.  At the end of the night all the sheets are collected and the winning bids are posted.

As we’re wandering around there’s a bunch of beach themed baskets with towels and lotion and folding chairs, and a bunch of beer and/or wine baskets.  We bid on a couple of those, and on a “family game night” basket that had a bunch of movie tickets and things.  Then I see this smaller basket with fewer bids, and as I walk by “Thou rampant fustilarian!” catches my eye.  I backtrack and look closer, and sure enough that’s a Shakespeare Insult Mug sitting in the basket.  Next to it is another mug reading, “A screaming comes across the sky,” which if I recall is the opening to Pynchon’s Gravity’s Rainbow.
I read the sign.  “The Bookworm Basket.”  Consists of a Paperwhite Kindle, case, booklight (isn’t the paperwhite version backlit?), Kindle gift certificate, blanket, and the two mugs.  I tug on Kerry’s arm and say, “Look!  Shakespeare.  I kind of feel obligated to bid on that.”  She says to go for it.

Night continues. I go back to check on our bids and see that, as expected, most of them have been beaten.  That’s how these things work, you basically have to be the last person to write down your number.  So if you really want something you have to camp out on it.  So I poked around, bumped up a few bids, noticed that the book basket wasn’t really going up.  But then later I do get outbid.  So I think, “Ok, I put in my token bid for the Shakespeare thing just to say I did, but do I really want this?”  I up the bid again.
Eventually the night starts to come to a close.  We’re way outbid on the wine packages but the family game night is still within reach.  I try bumping up the bid by $30 (instead of the minimum $10) to try to and scare away people but then somebody else bumps it by another $30.  I hear them say that the auction will be over in 10 seconds so write down your final bids.  I head over to that basket to throw another $10 on it and snipe it at the last second, and dangit if the organizers didn’t sweep in right in front of me and scoop up all the papers.  Rats!
But guess what?  As if you couldn’t guess from the title :).  I won what I keep calling the Shakespeare basket!  
My mom’s birthday is next month, she’s getting the Kindle (everyone in my family has one, and we just got my dad one for his birthday earlier this year).  We kept the gift certificate for the kids, and my wife likes the blanket.  
Look for the mug to become a prize in some future giveaway 🙂

UPDATE : I just remembered that sometimes my Dad reads the blog.  If so, Hi Dad!  Don’t tell Ma what she’s getting. 🙂

Shakespeare Geek Teaches The Sonnets

[Yes this is several weeks late but I’m leaving in how I originally started it.]

Would you believe I just spent almost 2 hours in a classroom of 10 and 11yr olds talking about the sonnets?

Every year since my kids were in kindergarten I’ve volunteered to do Shakespeare things.  Some teachers take me up on it, some do not.  Last year was particularly disappointing when I created an edited script, bought props, and was told at the last minute that the principal had vetoed the whole idea.

So this year, with my 10yr old’s class, I took a different approach. Knowing that poetry is a significant part of their curriculum I suggested a talk about the sonnets.  They would already have some knowledge of iambic pentameter, so I was free and clear to basically talk about my love of the subject in general and try to show a little enthusiasm for how awesome Shakespeare can be, and not let these children head off to middle school and down that “Shakespeare is hard and boring” path.

Working with Bardfilm I created a simple fill in the blank game.  I printed up cards with 6 different sonnets where I took a word out of each line, then scrambled them.  I made it a point to cut out some words that made an easy rhyme, some that made for obvious syllable count (when you only have 6 syllables in your line you probably need a 4 syllable word to fill in your blank), and so on.

I brought all my props.  Brought my pop up Globe theatre.  Brought my Shakespeare action figure.  Brought my Yorick skull.  Brought my First Folio.  The latter made a heck of a prop.  I held it up in the air, talked about the most beautiful and important book in the world, and then dropped it on the desk with an echoing THUD to show them all how big it was.

I gave them the usual “Shakespeare is all around you” pitch.  “If you’ve ever seen a guy in the bushes looking up at a girl in the balcony and saying things like It is the east and Juliet is the sun!  That’s Shakespeare.  If you’ve ever seen three witches huddled around a bubbling cauldron chanting stuff like Double Double Toil and Trouble? Shakespeare again.  If you’ve ever seen a goth dude dressed all in black wandering around talking to a skull and saying…”  here I held my hand aloft and started, “Alas, poor Yorick!  I *knew* him, Ho…..hold on a sec.”  Went digging in my prop bag, pulled out actual skull, then repeated the quote.  I hope they enjoyed that.  My daughter told me that was my big hit.  Later I set Yorick up on the projector and gave him a party hat.

I tried to keep it interesting by stressing the “We don’t know” factor with all things Shakespeare, in a subtle attempt to instill in these kids the idea that the teacher is not always unquestionably right.  “We do not know that Shakespeare was born on April 23.  We do not know whether Shakespeare wanted his sonnets published, or when he wrote them, or to whom.  We don’t know for certain what he looked like. We don’t even know where he was for large parts of his life.  We have our theories, and some theories are better than others, but it’s important to understand that when it comes right down to it, there’s a whole lot of stuff we just don’t know.”

I also tried to get into reading and understanding the sonnets by opening with what I dubbed the “How Not To Go Crazy” rules, starting with #1 “Do not attempt to translate every single word into its modern equivalent as you come upon them.”  Even at this the teacher jumped in and said, “If they don’t do that then how can they understand it at all?”  I explained using the old forest and trees analogy, and how if you only obsess over a single word at a time you’ll lose all the meter and structure of the piece.  You need to read it first and try to understand it, using the words you do already recognize, and try to build from there.  Sure, use the glossary when you have to, but you don’t have to as much as you think you do.

What I did do, that I’ve never done before?  I acted.  I performed.  I recited the sonnets like I meant it.  I talked to Yorick’s skull like he was my old friend.  I swore ever lasting love to an imaginary girl in an imaginary balcony like I thought it should be done.  Probably all sucked, but my audience didn’t know that.  The important thing is that instead of just rattling this stuff off from memory, I tried to put a little something into it, you know?

I did get to break out my game, and they were all intrigued at something to do that was interactive.  At this point I’d been talking for over an hour (more on that in a sec) and it was clear that I was losing them.  I felt like the substitute teacher who’d been given a list of fake names when taking attendance.  Every 30 seconds somebody was getting up to sharpen a pencil or go to the bathroom or for a drink of water.  I didn’t care, it wasn’t my classroom.  At one point a student showed me a sketch and asked, “How do you like my Shakespeare?”  It wasn’t very good but I wasn’t about to say that. I suggested that he add a ruff around the neck.  Later my daughter confided in me, “Daddy, he was making fun of Shakespeare.”  I said if that’s the best he’s got I don’t have much to worry about.

I got to yell at the class once, which was fun.  Well, not technically yelling, but yeah, yelling.  They’d done their game, made their sonnets, and the teacher asked who would like to recite their final version.  One girl, obviously shy but used to raising her hand for things, volunteered.  At this point the class isn’t paying attention very much at all, and she begins in a whisper that can barely be heard past her own desk.  SO I SUGGESTED THAT SHE USE HER DIAPHRAGM AND LEARN TO PROJECT SO THAT HER VOICE HITS THE BACK WALL AND CAN BE HEARD OVER THE SOMETIMES NOISY CROWDS THAT MIGHT OTHERWISE DROWN HER OUT.  That shut them up for awhile.

What was most unexpected to me was that the teacher talked my ear off.  I expected to be there 20-30 minutes.  I was there for 90.  She asked me everything that you could imagine, from the minute I walked in the door.  She wanted to know about my business and my entrepreneurial efforts. She wanted to know when I learned Shakespeare, and whether my parents were Shakespearean, and how I liked Shakespeare in high school, and what was the name of the girl I had to recite the balcony scene with in Ms. Cunningham’s ninth grade English class, and whether she was pretty.  I’m not kidding, these are the questions I got asked.  Leah DiNapoli, and yes. 🙂  She was surprised I knew that, I said I’ve told that story many times.  Although when I think about it I’m pretty sure that my partner was actually Karen Kehoe or Kristin Mills (who would have been sitting near me in alphabetical order), and Leah was the only girl in the class who did her part well and had come up to me later and said, “You and I should have gone together.”  Anyway, the teacher asked me whether I’d recited any sonnets to my wife at our wedding.  We talked about Sonnet 116 and I plugged my book :).   She also asked me to explain Julius Caesar.  Really?  Went a little far afield on that one.

My big climax was a playlist of videos featuring celebrities reciting the sonnets.  I had David Tennant doing sonnet 12, I had Alan Rickman doing sonnet 130. I even asked the kids, “Does anybody know who’s in charge of Slytherin House?” and of course that got their attention.  BUT I COULDN’T GET A WIFI CONNECTION AND WAS UNABLE TO SHOW ANY OF THEM.  That bummed me out.  (Later I thought that I should have gone more screen shot heavy, first showing a famous actor in a role that the kids would know and then a Shakespearean role.  Patrick Stewart as Commander Picard or Professor X….Patrick Stewart as Macbeth.  Ian McKellen as Gandalf the Grey …. Ian McKellen as King Lear.  And so on.)

This is getting long so I’ll wrap it up with a funny story that suggests things might have sunk in a bit more than I thought.  I posted some notes about my experience on Facebook.  I’m friends with various neighborhood parents, and it just so happens that a parent (Kim) of a student in my daughter’s class saw my notes and asked her son, “So, Mr. Morin came into your class to talk about Shakespeare, huh?”  In typical 10 yr old paranoia she got the usual “What? How’d you know that?” and then the usual “Good.  Fine,” result.

What’s neat, though, is that this young man has an older sister who is in high school and who *is* studying Shakespeare. “What sonnets did you do?” she demanded of him.  He told her about sonnet 18, and 29, and 116.  She acknowledged that she too knew those, in what I have to assume went down in an ultracompetitive “Oh no my little brother does NOT know something that  I don’t know!” sibling moment.  I wonder what she would have done if he’d been able to rattle off some sonnet 12 or 104 or 130?

This visit proved something I’ve said time and again.  If you ask me to start talking about Shakespeare you’re going to need to eventually walk away because I will not stop.  Never once did I answer the teacher’s side query with, “Can we talk about that later?”  Every time, no matter the question, I launched into my answer with equal passion.  I love realizing that I cannot help myself.  I am well aware that many times when talking about Shakespeare I will pause and sway a little and gesture a bit with my hands because I can’t find the words to adequately explain how strongly I feel about how much I enjoy that moment.  This time I got to do that for an hour and a half.

Ok, that’s enough of that.  Glad I got to do it, but 10yr olds are clearly not yet into the lovey dovey romantic stuff that drives most of what the sonnets are all about.  We did talk a lot about Romeo and Juliet and the balcony scene, and I think I did get them interested with talk of, “Every time a girl likes a boy and her friends tell her that she shouldn’t like him?  There’s something in Romeo and Juliet for you.”  That, they get.  But man I’ll tell ya I was selling sonnet 18 and 29 and 130 for all I was worth talking about the poet putting himself right in between Death and his beloved saying “No!  I will not let you have her, I will make her immortal!” like Orpheus travelling into the underworld, and enjoying the hell out of myself if I can just tell ya…but the kids could take it or leave it.

Next week I’m doing an actual Dream performance with my 8yr old’s class.  Should be an entirely different experience.  Stay tuned!

Confusion Fills Up The Blog Of Our Absent Geek

Hi Everybody,

Apologies for my absence.  I think the last anybody heard from me was that I was going to teach sonnets to 10 year olds, and I still owe you that story.  This is not that story.

About 4 years ago I developed this problem where I get these shooting pains, numbness and tingling all down my arm.  Turns out to be a bulged disk, or a pinched nerve, or one causing the other, I was never really sure what’s going on in there.  But at the time I went through the whole MRI process and everything, spend a few months in physical therapy, and it went away.

Until about 3 weeks ago, when it came back with a vengeance.  All the same symptoms are there, which lead me to believe that it’s the same problem getting worse.  A couple of fingers on my right hand are completely numb. Had an MRI earlier this week, have not yet gotten any results.  So until then I’m either in pain or on Percoset depending on the time of day you catch me. 🙂

The end result is that while I’ve still got control of both arms and all my fingers and can still do my job, it’s made it difficult to sit and focus on typing lengthy things, like blog posts.  I can only sit at the keyboard for a few minutes before I have to get up and move around and stretch, which makes it very hard to write up a summary of my Shakespeare activities.

With that in mind it’s gotten a lot better, so I will try to start posting some new material.  Regardless of what MRI says it’s likely to be weeks before I’m back to normal.

-SG

My Interview with “Hamlet Supercut” Creator Geoff Klock

Last week a good part of the Shakespeare fan universe was knocked on its collective Bottoms (see what I did there :)?) by the discovery of what’s best called a Hamlet Supercut – a 15 minute retelling of Hamlet made up entirely of 200+ movie and television references.  If you’ve not yet seen it, you’re in for a treat.  Warning, there’s a bit of NSFW dialogue so you might want to grab the headphones (more on that later):

Amazing, right?  Everybody I showed said the same thing.  I got a number of “I thought I knew a few references to add but he already had them!” and even one professor who said, “I teach this stuff for a living and I only knew about 60-70% of those!”

When the creator Geoff Klock introduced himself on Twitter I jumped at the chance to interview him by email.  I sent him half a dozen questions, all set to the tune of Hamlet quotes (hey I gotta show off my geek skills somewhere!), and he sent me back his answers.  Enjoy.

1) “What’s Shakespeare to you, or you to Shakespeare?” Tell us about yourself and the context for this project. We’ve all got “high school teacher” but what grade? Is this for honors/AP? Where in the world are you? How did the idea for this project come up and how long has it taken you?

I am actually not a high school teacher, though I have a lot in common with one. I teach at the Borough of Manhattan Community College, which is open admissions. I teach the two term freshman writing course, and also film and Brit Lit 1, where I teach Hamlet. To get my students interested in Hamlet I started collecting clips quoting it. It got out of hand. At a show called Kevin Geeks Out in NYC I saw a guy do a mash up Christmas Carol. I thought “That’s what I will do with the clips!” It took years, but that feels misleading, since it only took a few minutes a day, and then a handful of days to put it all together. I was doing other stuff!

2) “Tell us about the method to your madness.” There’s obviously a ridiculous amount of overlapping between all the references where you have to decide which reference to use for which line, or whether to do a whole bunch of them strung together. Any method to how you decided which clip goes with which line?

I tried to go with the most entertaining / recognizable clip I could. Given a choice in one show between a line I already had (such as “To be or not to be”) and a more obscure one (such as “I’ll call
the king, father, Royal dane!”) I tried to go with the lesser known one. In some Platonic Ideal Universe I could build the whole play out of quotes, I imagined. Also I had to cut all references to Hamlet in music and each show only got one bite — a lot of folks want to know where the Star Trek “Conscience of King” episode is but for that generation of Trek I wanted Christopher Plummer as a Klingon. Cause, obviously.

3) “F-words, f-words, f-words.” I’ve already heard a few people comment that they’d love to show this to their students, but several of the quotes drop that big f-bomb that is know to set parents aroar. Any particular reason why you chose to leave those in (since they’re not Shakespeare’s text)? Did it even come up when you were making this?
If you are teaching high school you are doing the Lord’s work. I could not hack it at that job. And if you have that job you don’t want to lose it and I get that. But too often teachers present intelligence
to students as something antiseptic. We imply that to be smart they need to dress like J Crew ads, put away childish pleasures like Batman, and talk and write like goddamn news broadcasters. Then we are shocked that they do not want to learn. I have a doctorate from Oxford, I wear converse with suits, and the two things I love best in this fucking world are Hamlet and The X-Men, and my students know that. And honestly, while “fuck” may not be in the text, Hamlet says to Ophelia that he wants to lie in her lap. He clarifies that he means his head upon her lap, and then asks her if she thought he meant “country matters.” Are we to leave students, who are always a single click of their phones away from every manner of Hard Core Porn, with the impression that Shakespeare is above a pun on the word “cunt?” The Hamlet Mash Up demonstrates that intelligence can coexist with trash culture, and that both are kickass. Cf. any movie by Quentin Tarantino for a further lesson on this subject.


4) “I have entreated geeks along with me to watch the 15 minutes of this video.” You’ve already told me that you’ve got more than a dozen clips to add and that your goal is “all of them.” I told a friend that if this was two hours long I’d invite people over and serve popcorn. How long do you think you can make it, and still have it be a useful teaching tool?

More than 15 minutes and it can’t be on YouTube. If you are not on YouTube you are not getting to all the people you can. Plus there is a tradition of the “15 minute Shakespeare” I want to stay in. It’s too long as it is. If I could start over I would just do To Be Or Not To Be.

5) “Well spoken, with good accent.” Several of the clips appear to be foreign language versions of Hamlet productions. Isn’t that cheating? If you open up that door couldn’t you do an entire video of nothing but versions of Hamlet from around the world? That’s really a different thing, isn’t it?

Are there a lot of foreign movies quoting Hamlet? I don’t know that many. If there are too many the foreign language ones will be the first thing cut in a next edition.

6) “I did enact Julius Caesar: I was killed i’ the Capitol; Brutus killed me.” Does this only work for Hamlet, or could you set your sites on other Shakespeare works? What would your second choice be? Do you think it’s possible to find enough cultural references to, say, Midsummer Night’s Dream that you could make a similar video?


I am not doing any more of these. This was hard enough and I am clearly missing 15 things at least. I will keep this one as up to date if I can, maybe releasing an update a year or something. I tried to do it with MacBeth but MacBeth is not as sound-bite-y as Hamlet as so the clips had to be longer, and it was a mess. You could do one of Romeo and Juliet maybe but the whole thing would be pop culture characters saying “A rose by any other name” and “Romeo, Romeo, wherefore art
thou Romeo.”

Thanks very much Geoff!  I apologize for assuming you were a high school teacher, I don’t know where I got that. Maybe somebody else will pick up the gauntlet and make another one of these, just as you suggest!