Hamlet
by
William Shakespeare
Hamlet is a story about a young prince named Hamlet, who is grieving the death of his father, the King. His mother, Queen Gertrude, has married his uncle, Claudius, who has now become the new King. Hamlet is visited by the ghost of his father, who tells him that he was murdered by Claudius. This revelation sets Hamlet on a path of revenge and madness.
Throughout the play, Hamlet struggles with his own sanity as he tries to uncover the truth about his father's death and bring justice to his family. He becomes obsessed with the idea of revenge and begins to distrust everyone around him, including his closest friends and family members. Along the way, he puts on an "antic disposition" to throw his enemies off-guard.
As Hamlet's plans for revenge come to fruition, he ends up causing more harm than good. His actions lead to the death of several characters, including his love interest, Ophelia, and his best friend, Polonius. In the end, Hamlet himself is mortally wounded in a duel with Laertes, and he dies just as he finally achieves his revenge on Claudius.
Overall, Hamlet is a complex and powerful story that explores themes of revenge, madness, and the human condition. It is a timeless tale that has been adapted into countless forms, from stage productions to film adaptations, and remains one of Shakespeare's most beloved plays.
Act I
Act 1 of Hamlet introduces the characters and sets the tone for the play. The story begins with the appearance of a ghost who appears to be the spirit of the recently deceased King Hamlet. The ghost appears to his son, Prince Hamlet, and tells him that he was murdered by his own brother, Claudius, who has since taken the throne and married Queen Gertrude, Hamlet's mother.
Hamlet is deeply troubled by this revelation and becomes obsessed with seeking revenge on Claudius. He begins to act erratically and his behavior becomes a cause for concern for those around him. Meanwhile, Claudius and Gertrude attempt to understand and control Hamlet's erratic behavior.
Hamlet's close friend, Horatio, is introduced in this act and is the only person who seems to understand Hamlet's behavior. The character of Polonius, the Lord Chamberlain, is also introduced in this act. Polonius is a conniving and manipulative character who seeks to advance his own interests by any means necessary.
The act ends with a plan to stage a play that will reenact the murder of King Hamlet. The hope is that Claudius will react to the play and reveal his guilt. Hamlet is determined to seek revenge and will stop at nothing to achieve it.
SCENE I. Elsinore. A platform before the castle.
A group of guards are standing watch outside the castle of the King of Denmark, when they are joined by a young man named Horatio. They tell him that they have seen a ghost resembling the recently deceased King Hamlet, and Horatio agrees to keep watch with them that night to see if the apparition appears again. As they wait, the ghost appears before them. Horatio tries to speak to it, but it disappears. The guards then decide to tell Prince Hamlet, the son of the deceased king, about the ghost's appearance. When Hamlet arrives, the ghost appears again. It beckons to Hamlet, who follows it away from the others. The guards and Horatio are left wondering what has happened to Hamlet. The scene ends with the guards discussing the recent military preparations of Denmark, including the movement of troops towards Norway.
FRANCISCO at his post. Enter to him BERNARDO
Enter HORATIO and MARCELLUS
Exit
Enter Ghost
Exit Ghost
Exeunt
SCENE II. A room of state in the castle.
Scene 2 of Act 1 of this play takes place in the court of Denmark where the new king, Claudius, addresses the courtiers and his wife, Gertrude. He speaks of the recent death of his brother, the previous king, and his own hasty marriage to Gertrude. He then turns to his nephew, Hamlet, who is mourning his father's death, and asks him why he is still in mourning attire. Claudius urges Hamlet to stay in Denmark instead of returning to university in Germany. Hamlet is clearly unhappy with his uncle's speech and seems to be in a state of deep melancholy. He makes a sarcastic comment about how quickly his mother remarried after his father's death and says he will put on an "antic disposition" to hide his true feelings. Gertrude tries to comfort and advise him, but he remains distant. The courtiers, including Polonius and his children, Laertes and Ophelia, enter and greet the king and queen. Polonius offers some long-winded advice to his son Laertes, who is leaving for France, and then leaves. Ophelia and Hamlet exchange some tense words about his behavior towards her. Finally, Hamlet is left alone on stage and delivers his famous soliloquy, in which he expresses his despair and disgust with the world around him. He speaks of suicide and the futility of life. The scene ends with Hamlet's resolve to put on his "antic disposition" and plot his revenge against his uncle for his father's murder.
Enter KING CLAUDIUS, QUEEN GERTRUDE, HAMLET, POLONIUS, LAERTES, VOLTIMAND, CORNELIUS, Lords, and Attendants
Exeunt all but HAMLET
Enter HORATIO, MARCELLUS, and BERNARDO
Exit
SCENE III. A room in Polonius' house.
Scene 3 of Act 1 of the play takes place in Polonius's house. Polonius is the chief counselor of the king, and he is talking to his son, Laertes, who is about to leave for France to study. Polonius gives Laertes some fatherly advice, telling him to be true to himself, to speak less, listen more, and to avoid getting into fights unnecessarily. Polonius then gives Laertes a long list of instructions on how to behave in France, including not borrowing or lending money, not gambling, dressing modestly, and avoiding prostitutes. He also warns Laertes to be careful of his friends, as they may not have his best interests in mind. After Polonius finishes his lecture, Ophelia, his daughter, enters the room. Polonius tells Ophelia to stay away from Hamlet, the prince of Denmark, whom she has been seeing. Polonius believes that Hamlet's love for Ophelia is not genuine and that he may harm her. He orders Ophelia to stop seeing Hamlet and to keep her distance from him. Ophelia agrees to obey her father's wishes, but she is clearly upset. She tells her father that Hamlet has been acting strangely and that he came to her room looking disheveled and behaving erratically. Polonius dismisses Ophelia's concerns, telling her that Hamlet is just playing with her and that she should not take him seriously. The scene ends with Polonius giving Ophelia a book to read, telling her that it will help her forget about Hamlet. Laertes says goodbye to his father and sister and leaves for France.
Enter LAERTES and OPHELIA
Exit
Exeunt
SCENE IV. The platform.
In Scene 4 of Act 1, two guards and Hamlet's friend Horatio are standing watch outside of the castle at midnight. They have seen a ghostly figure that resembles the deceased King of Denmark, and they are waiting to see if it will appear again. Hamlet's father has recently died, and his uncle Claudius has taken the throne and married Hamlet's mother. As they wait, the ghost appears again and Horatio decides to speak to it. The ghost looks like the dead king, and it beckons Horatio to follow it. Horatio is afraid, but the ghost disappears before he can do anything. Hamlet arrives on the scene and the guards tell him what they have seen. He decides to wait with them to see if the ghost appears again. When the ghost appears, Hamlet tries to speak to it, but it doesn't respond. The ghost disappears again and Hamlet is left shaken and confused. Hamlet is determined to learn more about the ghost and why it has appeared. He decides to keep watch with the guards and Horatio, hoping to see the ghost again and get some answers. The scene ends with Hamlet being left alone on stage, contemplating what he has seen and what it might mean for the future.
Enter HAMLET, HORATIO, and MARCELLUS
Enter Ghost
Ghost beckons HAMLET
Exeunt Ghost and HAMLET
Exeunt
SCENE V. Another part of the platform.
Scene 5 of Act 1 begins in the castle of Elsinore, where a group of soldiers are discussing the appearance of a ghostly figure that has been spotted on the ramparts. The soldiers decide to inform Hamlet, the prince of Denmark, about the ghostly apparition, hoping that he can help them make sense of this strange occurrence. Hamlet arrives and the soldiers recount their sighting of the ghost. They describe the ghost as resembling the recently deceased King Hamlet and wearing the same armor he wore during his battles. Hamlet is intrigued by the description of the ghost and decides to follow the soldiers to the ramparts in the hopes of seeing the ghost for himself. As Hamlet and the soldiers wait for the ghost to appear, Hamlet reflects on the recent events of his life, including the death of his father and his mother's hasty remarriage to his uncle. Hamlet is deeply troubled by his mother's marriage and is suspicious of his uncle's intentions. Finally, the ghost appears before Hamlet and beckons him to follow. Hamlet is hesitant at first, but eventually agrees to follow the ghost into the darkness. The scene ends with the soldiers expressing their concern for Hamlet's safety, as they fear that the ghost may be leading him into danger. However, Hamlet is determined to follow the ghost and find out what it wants from him.
Enter GHOST and HAMLET
Exit
Enter HORATIO and MARCELLUS
Exeunt
Act II
Act 2 of Hamlet follows the prince as he continues to grieve for his father and to seek answers about his death. He is approached by Rosencrantz and Guildenstern, two of his childhood friends who have been sent by his uncle, now the king, to spy on him. Hamlet is initially happy to see them but quickly realizes their true intentions and becomes suspicious of everyone around him.
He then meets with a group of actors who have come to town to perform. He becomes fixated on the idea of using the play to catch his uncle in his guilt over his father's death. Hamlet devises a plan to have the actors perform a play that mirrors the circumstances of his father's murder, hoping to see his uncle's reaction.
In the meantime, Polonius, the lord chamberlain, is convinced that Hamlet's madness is due to his love for his daughter Ophelia. Polonius decides to use her as bait to see if Hamlet will reveal anything about his mental state. Ophelia agrees to the plan, but Hamlet's behavior towards her is erratic and confusing.
The act ends with the performance of the play. As Hamlet watches his uncle's reaction to the murder scene, he becomes convinced of his guilt and decides to take action. He is interrupted by the appearance of his mother, who is upset by his behavior and demands that he explain himself. Hamlet becomes increasingly agitated, and the act ends with him warning his mother to repent her sins and not to reveal his plans to anyone.
SCENE I. A room in POLONIUS' house.
Scene 1 of Act 2 begins with Polonius sending his servant Reynaldo to France to spy on Laertes, Polonius' son. He instructs Reynaldo to spread rumors and lies about Laertes' behavior to see if anyone will confirm them. Polonius hopes to determine if his son is engaging in any immoral or inappropriate behavior while he is away. After Reynaldo leaves, Polonius speaks with Ophelia, Hamlet's love interest. He believes that Hamlet's recent behavior towards Ophelia is due to his love for her. Polonius suggests that Ophelia should reject Hamlet's advances and not spend any more time with him. He believes that Hamlet's love for Ophelia is not genuine and that he is only using her for his own purposes. Hamlet enters the scene and begins a conversation with Polonius. He speaks in riddles and makes sarcastic remarks, which Polonius does not understand. Polonius eventually leaves, and Hamlet is left alone on stage. Hamlet begins a soliloquy, expressing his frustration with his own inaction and inability to take revenge for his father's murder. He criticizes himself for not being more like the actor he recently saw perform, who was able to express emotion and passion. Hamlet believes that he is weak and unable to act, and he questions whether he is truly capable of avenging his father's death. The scene ends with Hamlet declaring that he will put on an "antic disposition" or a fake madness in order to conceal his true intentions and confuse those around him. He believes that this will allow him to investigate the circumstances of his father's death without arousing suspicion.
Enter POLONIUS and REYNALDO
Exeunt
SCENE II. A room in the castle.
Scene 2 of Act 2 begins with Polonius sending his servant Reynaldo to France with a mission to spy on Laertes, Polonius' son. Polonius tells Reynaldo to spread rumors about Laertes to his acquaintances in France so that he can get information about Laertes' behavior. After Reynaldo leaves, Ophelia enters and tells Polonius that Hamlet, who she used to have a romantic relationship with, came to her room looking disheveled and behaving strangely. Polonius believes that Hamlet's odd behavior is due to his love for Ophelia, but he decides to test his theory by setting up a meeting between Ophelia and Hamlet while Polonius and Claudius spy on them. When Hamlet enters, he begins a conversation with Ophelia that quickly turns into insults and accusations. Hamlet tells Ophelia that he never loved her and accuses her of being dishonest and unfaithful. Ophelia is hurt by Hamlet's words and tells him that she hopes he will one day see the error of his ways. After Hamlet leaves, Polonius decides that Hamlet's behavior is not due to his love for Ophelia, but rather due to his madness. The scene ends with Polonius telling Claudius that they should send Hamlet to England for his own safety and to prevent any further disruption in the court.
Enter KING CLAUDIUS, QUEEN GERTRUDE, ROSENCRANTZ, GUILDENSTERN, and Attendants
Exeunt ROSENCRANTZ, GUILDENSTERN, and some Attendants
Enter POLONIUS
Exeunt VOLTIMAND and CORNELIUS
Enter ROSENCRANTZ and GUILDENSTERN
Exit POLONIUS
Flourish of trumpets within
Enter POLONIUS
Exit
Act III
Act 3 of Hamlet is an important turning point in the play, as it features several key events that drive the plot forward and set the stage for the rest of the story.
The act opens with Claudius and Gertrude attempting to figure out what is troubling Hamlet, as they are worried that he may pose a threat to the stability of the kingdom. Meanwhile, Hamlet is plotting his revenge against Claudius for the murder of his father.
The famous "To be or not to be" soliloquy occurs in this act, as Hamlet contemplates the nature of life and death. He ultimately decides to continue his plan for revenge, despite the risks involved.
Hamlet's interactions with Ophelia also take center stage in Act 3. He is cruel to her, telling her to go to a nunnery and accusing her of being dishonest. This is a significant moment in their relationship and foreshadows the tragic events that will unfold later in the play.
The act concludes with Hamlet staging a play that reenacts the murder of his father in order to see if Claudius will react. When Claudius does react, Hamlet knows that he has confirmed his guilt and is now even more determined to carry out his revenge.
Overall, Act 3 of Hamlet is a pivotal moment in the play, as it sets the stage for the final acts and reveals the true nature of the characters' motivations and desires.
SCENE I. A room in the castle.
In Scene 1 of Act 3, the King and Queen arrange for Hamlet's friends, Rosencrantz and Guildenstern, to spy on him and find out what is causing his strange behavior. They hope to learn if he is truly mad or simply pretending. When Hamlet enters, he immediately realizes that they are there to spy on him. He mocks them and refuses to give them any information about his state of mind. Instead, he asks them questions about their loyalty to the King and suggests that they are betraying him by working against him. Polonius enters and announces that a group of actors has arrived at the castle. Hamlet is delighted and asks them to perform a specific play that he has chosen. The play's plot involves a king who is murdered by his brother and whose wife then marries the murderer. Hamlet tells his friends that he believes the play will reveal the guilt of his uncle, the current king, who he suspects of murdering his own brother to take the throne. As the scene ends, Hamlet is left alone on stage, contemplating his plan to use the play to expose his uncle's guilt. He delivers one of the most famous soliloquies in literature, beginning with the words "To be, or not to be." In this speech, he questions the value of life and considers suicide as an option to escape his troubles.
Enter KING CLAUDIUS, QUEEN GERTRUDE, POLONIUS, OPHELIA, ROSENCRANTZ, and GUILDENSTERN
Exeunt ROSENCRANTZ and GUILDENSTERN
Exit QUEEN GERTRUDE
Exeunt KING CLAUDIUS and POLONIUS
Enter HAMLET
Exit
Re-enter KING CLAUDIUS and POLONIUS
Exeunt
SCENE II. A hall in the castle.
In Scene 2 of Act 3, the main character meets with a group of actors and asks them to perform a play for him that he has written himself. He explains that the play is based on the murder of his father and that he hopes it will help him to determine if his uncle, who is now king, is guilty of the crime. The actors agree to perform the play and Hamlet gives them instructions on how to act out the murder scene. He wants it to be as realistic as possible so that he can gauge his uncle's reaction. After the actors leave, Hamlet is left alone to reflect on his plan and his own sanity. He questions whether or not he is crazy for wanting revenge on his uncle and for the way he has been acting lately. He also expresses his love for Ophelia, but at the same time, he insults her and tells her to go to a nunnery. Overall, Scene 2 of Act 3 is a pivotal moment in the play as it sets up the plot for the rest of the story. Hamlet's plan to use the play to trap his uncle is the beginning of the end for both characters and leads to the tragic ending of the play.
Enter HAMLET and Players
Exeunt ROSENCRANTZ and GUILDENSTERN
Enter HORATIO
Danish march. A flourish. Enter KING CLAUDIUS, QUEEN GERTRUDE, POLONIUS, OPHELIA, ROSENCRANTZ, GUILDENSTERN, and others
Lying down at OPHELIA's feet
Enter a King and a Queen very lovingly; the Queen embracing him, and he her. She kneels, and makes show of protestation unto him. He takes her up, and declines his head upon her neck: lays him down upon a bank of flowers: she, seeing him asleep, leaves him. Anon comes in a fellow, takes off his crown, kisses it, and pours poison in the King's ears, and exit. The Queen returns; finds the King dead, and makes passionate action. The Poisoner, with some two or three Mutes, comes in again, seeming to lament with her. The dead body is carried away. The Poisoner wooes the Queen with gifts: she seems loath and unwilling awhile, but in the end accepts his love
Exeunt
Enter Prologue
Exit
Enter two Players, King and Queen
Sleeps
Exit
Pours the poison into the sleeper's ears
Exeunt all but HAMLET and HORATIO
Re-enter ROSENCRANTZ and GUILDENSTERN
Exit
SCENE III. A room in the castle.
Scene 3 of Act 3 of this play opens with King Claudius, Polonius, Gertrude, and Hamlet in the throne room. Claudius is speaking to Hamlet, asking him why he is still upset about his father's death. Hamlet responds with a long and sarcastic speech, mocking Claudius and his own grief. Polonius interrupts to inform Claudius that he has arranged for Hamlet to meet with Ophelia, hoping to observe their interaction and determine whether Hamlet's madness is caused by love. After Polonius leaves, Hamlet continues his conversation with Claudius, revealing that he knows Claudius murdered his father and demanding that he confess. Claudius denies the accusation and orders Hamlet to be sent away to England. As Hamlet is leaving, he sees Ophelia and launches into a bitter tirade against her, accusing her of being complicit in her father's plan to spy on him. Ophelia is left confused and distraught as Hamlet exits the scene. This scene is significant in the play as it reveals the extent of Hamlet's anger and disillusionment with the people around him. His conversation with Claudius shows that he is aware of the truth about his father's death and is willing to confront the killer. However, his interactions with Ophelia demonstrate how his grief and anger have driven him to lash out at those closest to him, including the woman he claims to love. The scene also sets the stage for the tragic events to come, as Hamlet's behavior becomes increasingly erratic and dangerous.
Enter KING CLAUDIUS, ROSENCRANTZ, and GUILDENSTERN
Exeunt ROSENCRANTZ and GUILDENSTERN
Enter POLONIUS
Retires and kneels
Enter HAMLET
Exit
Exit
SCENE IV. The Queen's closet.
In Scene 4 of Act 3, a group of people are discussing the recent behavior of Hamlet. They are concerned about his mental state after he had a strange encounter with his mother, Queen Gertrude. Polonius suggests that they should hide and observe Hamlet's behavior when he meets with Ophelia. Hamlet enters, and he is initially rude and insulting to Ophelia. He accuses her of being dishonest and tells her to go to a nunnery. Ophelia is confused and hurt by his behavior. Polonius believes that Hamlet's behavior is a result of his love for Ophelia and that he is acting out of madness. He decides to tell the King and Queen about his suspicions. Before leaving, Hamlet delivers a soliloquy in which he reflects on his own state of mind. He questions his own existence and contemplates suicide. He also reveals his distrust of Rosencrantz and Guildenstern, two of his childhood friends who have been sent by the King to spy on him. The scene ends with Polonius leaving to inform the King and Queen about Hamlet's behavior, and Hamlet continuing to contemplate his own despair and anguish.
Enter QUEEN MARGARET and POLONIUS
POLONIUS hides behind the arras
Enter HAMLET
Makes a pass through the arras
Falls and dies
Exit Ghost
Exeunt severally; HAMLET dragging in POLONIUS
Act IV
In Act 4 of Hamlet, the audience sees a dramatic shift in the story as Hamlet becomes more focused on seeking revenge against his uncle Claudius for killing his father. Hamlet's behavior becomes more erratic and unpredictable, causing concern among those around him.
Early in the act, Hamlet confronts his mother Gertrude about her role in his father's death. He becomes increasingly agitated and accuses her of being complicit in the murder. His behavior becomes so erratic that Gertrude becomes frightened and cries out for help. Polonius, who is hiding behind a tapestry, also cries out for help, and Hamlet stabs him through the fabric, killing him.
Later in the act, Hamlet is sent away to England by Claudius, who fears for his safety. Hamlet manages to escape and returns to Denmark, where he learns of Ophelia's death. He is grief-stricken and confronts her brother Laertes, who blames Hamlet for her death. Hamlet and Laertes engage in a heated argument that ultimately leads to a duel.
The act ends with Hamlet's famous soliloquy, in which he reflects on the nature of life and death. He expresses his desire for revenge against Claudius and his frustration with his own lack of action. The audience is left wondering what will happen in the final act of the play.
SCENE I. A room in the castle.
Scene 1 of Act 4 begins with Gertrude informing Claudius that Hamlet has killed Polonius. Claudius is angry and concerned about the potential consequences of this action. He orders Rosencrantz and Guildenstern to find Hamlet and bring him to him. Meanwhile, Hamlet is in possession of Polonius' body and is taunting Rosencrantz and Guildenstern as they attempt to get information from him. He eventually agrees to see Claudius, but not before delivering a soliloquy about the nature of life and death. When Hamlet finally sees Claudius, he is confrontational and accusatory. He refuses to reveal where he has hidden Polonius' body and instead turns the conversation to his own grievances against Claudius. In the end, Claudius decides to send Hamlet to England, hoping to rid himself of the problem. The scene is full of tension and conflict, with each character trying to assert their own power and protect their own interests. It sets the stage for the rest of the play, which will see Hamlet seeking revenge for his father's murder and struggling with his own sense of identity and purpose.
Enter KING CLAUDIUS, QUEEN GERTRUDE, ROSENCRANTZ, and GUILDENSTERN
Exeunt
SCENE II. Another room in the castle.
Scene 2 of Act 4 takes place in the palace of Elsinore where Hamlet has just returned from his journey to England. He is met by Rosencrantz and Guildenstern who inform him that his mother wishes to see him. Hamlet is now convinced of his uncle's guilt and decides to confront him. As he enters the palace, he sees Claudius praying. Hamlet draws his sword and contemplates killing him then and there, but decides against it because he fears that Claudius would go straight to heaven if killed while praying. He decides to wait for a better opportunity to avenge his father's murder. Meanwhile, Polonius enters and Hamlet mistakes him for Claudius. He stabs him through the arras, killing him. When he realizes his mistake, he shows no remorse and continues to mock Polonius. He then turns his attention to his mother, who is shocked and confused by his behavior. Hamlet accuses her of being complicit in his father's murder and demands that she confess and repent. During their conversation, Hamlet hears a noise behind the arras and, thinking it is Claudius, stabs through it. He discovers that it is actually Polonius's body and again shows no remorse. He then continues to berate his mother, telling her that she must renounce her marriage to Claudius and that he will make her see the error of her ways. The scene ends with Hamlet dragging Polonius's body out of the room and his mother crying out in despair.
Enter HAMLET
Enter ROSENCRANTZ and GUILDENSTERN
Exeunt
SCENE III. Another room in the castle.
In Scene 3 of Act 4, two characters are discussing a grave being dug in the churchyard. One of the characters is a clown, who is tasked with digging the grave. The other character is a fellow gravedigger who is trying to engage the clown in conversation. As they work, they discuss death and suicide, and the gravedigger tells the clown about the various types of people who end up in the graves he digs. Eventually, they come across the skull of a court jester, which the gravedigger recognizes. The two men discuss the irony of the jester's fate, and the gravedigger sings a song about death and the inevitability of dying. The scene is darkly humorous and serves as a counterpoint to the more serious and dramatic events of the play. It also highlights the themes of mortality and the fleeting nature of life that run throughout the play.
Enter KING CLAUDIUS, attended
Enter HAMLET and GUILDENSTERN
To some Attendants
Exeunt Attendants
Exit
Exit
SCENE IV. A plain in Denmark.
In Scene 4 of Act 4, the audience witnesses a conversation between Hamlet and Gertrude, his mother. Hamlet confronts Gertrude about her role in the death of his father and her hasty remarriage to his uncle, the current king. He accuses her of being complicit in the murder and urges her to repent for her actions. Gertrude is initially defensive but eventually succumbs to Hamlet's accusations and agrees to help him seek revenge against his uncle. Hamlet tells her to stop sleeping with her husband and to keep his secret. Their conversation is interrupted by the ghost of Hamlet's father, who reminds Hamlet of his mission to avenge his death. Hamlet becomes agitated and begins to speak in riddles, confusing Gertrude. The scene ends with Hamlet dragging Polonius's body out of the room, mistaking him for the king. Gertrude is left alone, frightened and confused by the events that have just transpired.
Enter FORTINBRAS, a Captain, and Soldiers, marching
Exeunt FORTINBRAS and Soldiers
Enter HAMLET, ROSENCRANTZ, GUILDENSTERN, and others
Exit
Exit
SCENE V. Elsinore. A room in the castle.
Scene 5 of Act 4 of this play takes place in a room within a castle. A queen, a king, and several other attendants are present. The queen is upset and afraid because her son, Hamlet, has killed Polonius, the lord chamberlain. She thinks that Hamlet is crazy and dangerous. Suddenly, a messenger arrives and tells the group that Hamlet is coming. The king decides to hide Polonius' body and pretends that he is still alive. He orders the queen to talk to Hamlet and try to calm him down. Hamlet enters the room and starts to speak with the queen. He is angry and accuses her of being part of the reason for his madness. He also tells her that he knows that the king is behind his father's death. The queen tries to defend herself and tells Hamlet that he is wrong. She begs him to stop being crazy and to behave like a normal person. Hamlet continues to be angry and rants about how unfair life is. Finally, the ghost of Hamlet's father appears and speaks to him. The ghost reminds Hamlet of his duty to avenge his father's death. He tells him that he must not harm his mother and that he should be strong and brave. Hamlet agrees to follow his father's orders and promises to be a good son. The scene ends with Hamlet leaving the room, determined to seek revenge against his father's murderer. The queen is left behind, feeling confused and frightened, unsure of what will happen next.
Enter QUEEN GERTRUDE, HORATIO, and a Gentleman
Re-enter HORATIO, with OPHELIA
Enter KING CLAUDIUS
Exit
A noise within
Noise within
Enter LAERTES, armed; Danes following
They retire without the door
Exit
Exeunt
SCENE VI. Another room in the castle.
Scene 6 of Act 4 of this play involves a conversation between two gravediggers as they dig a grave. They discuss the recent death of Ophelia, the daughter of Polonius. One of the gravediggers wonders whether Ophelia deserves a Christian burial, given that she may have committed suicide. The other gravedigger argues that Ophelia deserves a Christian burial regardless of how she died. Hamlet and Horatio then enter the scene. Hamlet is shocked to find that the gravediggers are joking about death and asks them whose grave they are digging. The gravediggers respond that the grave is for someone who was a "woman" and a "great one." Hamlet then realizes that the grave is for Ophelia and becomes emotional. He jumps into the grave and starts to hold the skull of Yorick, a jester Hamlet knew as a child. Hamlet then reflects on the inevitability of death and the fact that even great people like Alexander the Great and Julius Caesar have died and been forgotten. He also reflects on the fact that death is the great equalizer and that everyone, regardless of their station in life, will eventually die. After Hamlet exits the grave, he sees Laertes, Ophelia's brother, who is angry with him for causing Ophelia's death. They fight, but are separated by Horatio. The scene ends with Hamlet and Horatio leaving the graveyard.
Enter HORATIO and a Servant
Enter Sailors
Exeunt
SCENE VII. Another room in the castle.
Scene 7 of Act 4 of this play begins with King Claudius expressing his fear and guilt over his actions. He confesses to having killed his own brother, the previous king, in order to take the throne and marry his sister-in-law, Queen Gertrude. As he ponders his own damnation, he also worries about Hamlet's growing hostility towards him. He decides to send the prince to England under the guise of a diplomatic mission, but with secret instructions for his execution upon arrival. Meanwhile, Hamlet is being held captive by his old schoolmates, Rosencrantz and Guildenstern, who have been tasked by the king with spying on him. Hamlet sees through their deceit and tricks them into revealing their orders to deliver him to the English court. He then decides to turn the tables on them and drafts a letter to the English authorities, instructing them to execute Rosencrantz and Guildenstern instead. He seals the letter and returns to the Danish court with his captors in tow. As the scene ends, Hamlet and his companions are met by a group of soldiers who are marching towards the court. Hamlet recognizes them as a Norwegian army led by Prince Fortinbras, who seeks to reclaim the lands his father lost to the previous king of Denmark. Hamlet realizes that he must now confront his destiny and prepare for the inevitable battle to come.
Enter KING CLAUDIUS and LAERTES
Exit
Exeunt
Act V
Act 5 of Hamlet begins with two gravediggers discussing the recent death of Ophelia, the daughter of Polonius and the former love interest of Hamlet. Hamlet and Horatio then enter the scene, and Hamlet engages in a witty and philosophical conversation with the gravediggers.
As the funeral procession for Ophelia approaches, Hamlet and Laertes, Ophelia's brother, engage in a heated argument. This leads to a physical altercation, which is broken up by the King and Queen.
The final scene takes place during a fencing match between Hamlet and Laertes. The match is a trap set by the King, who has poisoned Laertes' sword and prepared a poisoned cup for Hamlet to drink from. During the match, both men are wounded by the poisoned sword. In the chaos, the Queen drinks from the poisoned cup and dies.
Laertes confesses to his involvement in the plot and asks for Hamlet's forgiveness before dying. Hamlet then stabs and kills the King before dying from his own wounds. The play ends with Fortinbras, the Prince of Norway, arriving to take control of Denmark in the aftermath of the tragic events.
SCENE I. A churchyard.
Scene 1 of Act 5 begins in a churchyard where two gravediggers are digging a grave. Hamlet and Horatio arrive and observe the gravediggers. Hamlet engages in a witty and philosophical conversation with one of the gravediggers, who is digging the grave for Ophelia, Hamlet's love interest who has recently died. As the gravediggers throw skulls out of the grave, Hamlet picks up one of them and begins a soliloquy on the inevitability of death and the futility of human existence. He reflects on the fact that even the greatest men in history, such as Julius Caesar, have ended up as mere dust and bones. As the funeral procession arrives, Hamlet realizes that the person being buried is Ophelia. He becomes emotional and jumps into the grave, embracing Ophelia's corpse. Laertes, Ophelia's brother, arrives and confronts Hamlet, blaming him for Ophelia's death. Hamlet denies any wrongdoing and the two engage in a physical fight. Eventually, they are separated and the funeral continues. Hamlet and Horatio leave, with Hamlet reflecting on the inevitability of death and his own impending fate.
Enter two Clowns, with spades, c
Enter HAMLET and HORATIO, at a distance
Throws up a skull
Throws up another skull
Puts down the skull
Retiring with HORATIO
Leaps into the grave
Grappling with him
The Attendants part them, and they come out of the grave
Exit
Exeunt
SCENE II. A hall in the castle.
Scene 2 of Act 5 begins with Hamlet and Horatio in the graveyard, where they witness the gravedigger digging a grave for Ophelia. Hamlet engages in a witty conversation with the gravedigger, questioning him on the nature of death and the decay of the body. As they continue to talk, Hamlet discovers that the grave is for Ophelia and becomes overcome with grief. Laertes and a group of attendants enter the graveyard, and he jumps into Ophelia's grave, expressing his love for her and his desire to be buried with her. Hamlet and Laertes engage in a heated argument, which leads to a physical fight. They are eventually separated, and Hamlet apologizes for his behavior, stating that he loved Ophelia as well. The funeral procession for Ophelia enters the graveyard, and Hamlet hides to watch. Laertes jumps into the grave once again, expressing his grief and anger towards Hamlet. The two men fight once more, and during the scuffle, the coffin is knocked over, revealing Ophelia's body. Hamlet and Laertes are once again separated, and the funeral procession continues. Hamlet and Horatio exit the graveyard, with Hamlet expressing his sadness and regret over the deaths of Ophelia, Polonius, and himself. The scene ends as Hamlet receives a letter from the king, summoning him to a fencing match with Laertes.
Enter HAMLET and HORATIO
Enter OSRIC
HAMLET moves him to put on his hat
Enter a Lord
Exit Lord
Enter KING CLAUDIUS, QUEEN GERTRUDE, LAERTES, Lords, OSRIC, and Attendants with foils, c
KING CLAUDIUS puts LAERTES' hand into HAMLET's
They prepare to play
They play
They play
LAERTES wounds HAMLET; then in scuffling, they change rapiers, and HAMLET wounds LAERTES
QUEEN GERTRUDE falls
Dies
Stabs KING CLAUDIUS
KING CLAUDIUS dies
Dies
Dies
March within
Enter FORTINBRAS, the English Ambassadors, and others
A dead march. Exeunt, bearing off the dead bodies; after which a peal of ordnance is shot off