King Lear
by
William Shakespeare
King Lear is a tragedy that tells the story of an aging king who decides to divide his kingdom among his three daughters based on how much they love him. His two eldest daughters, Regan and Goneril, flatter him with false praise to gain their share of the kingdom, while his youngest daughter, Cordelia, refuses to participate in the game of flattery and is banished from the kingdom. The two elder daughters soon reveal their true colors and plot against their father, leading to a series of betrayals and tragedies.
As Lear descends into madness, he is accompanied by his loyal court jester, who provides some of the play's most memorable lines. Meanwhile, a subplot involves the Earl of Gloucester and his two sons, one of whom is illegitimate and the other of whom is plotting against him. The two plots converge in a violent and tragic climax, leaving the stage littered with dead bodies.
King Lear is a complex meditation on the nature of power, family relationships, and human cruelty. It is often considered one of Shakespeare's greatest works, with powerful language, memorable characters, and a devastating conclusion that leaves audiences pondering the meaning of life and death.
Act I
Act 1 of King Lear sets the stage for a story of family drama, power struggles, and betrayal. The play opens with King Lear, the aging monarch of Britain, announcing his plan to divide his kingdom among his three daughters: Goneril, Regan, and Cordelia. He asks them to express their love for him so that he can determine how much of the kingdom each will receive.
Goneril and Regan, who are both married, shower their father with flattery and false declarations of love. Cordelia, however, refuses to engage in this game and instead tells her father that she loves him as a daughter should, without using words to prove it. This angers Lear and he disowns Cordelia, giving her share of the kingdom to her sisters.
Meanwhile, the Earl of Gloucester and his illegitimate son, Edmund, discuss the division of Lear's kingdom. Edmund, who resents his father's preference for his legitimate son, plots to discredit his brother and gain his father's favor.
As the play unfolds, the power dynamics between Lear and his daughters shift. Goneril and Regan begin to assert their authority over their father, who becomes increasingly erratic and unstable. The Earl of Kent, a loyal servant of Lear, tries to intervene and reason with the king, but is banished for his efforts.
The first act of King Lear sets the stage for a tragic tale of family conflict and political intrigue. It highlights the themes of power, loyalty, and betrayal that will continue to play out throughout the rest of the play.
SCENE I. King Lear's palace.
In Scene 1 of Act 1, a king decides to divide his kingdom among his three daughters. He asks each of them to express their love for him, and the two older daughters, Goneril and Regan, give extravagant speeches. However, the youngest daughter, Cordelia, refuses to flatter him and instead tells him that she loves him as a daughter should love her father. The king is furious and disowns her, giving her share of the kingdom to her sisters. A nobleman named Kent speaks up in defense of Cordelia, but the king banishes him. Another nobleman, Gloucester, introduces his illegitimate son Edmund and tells him that he is not entitled to any inheritance. Edmund is resentful and decides to plot against his legitimate half-brother Edgar, who is Gloucester's true heir. Meanwhile, the king goes to live with Goneril, but she quickly becomes annoyed with his behavior and demands that he reduce the size of his entourage. The king is shocked and angry at her ingratitude and decides to leave and go to Regan's house instead. Overall, Scene 1 sets up the main conflicts of the play: the struggle for power among the king's daughters, the tension between legitimate and illegitimate heirs, and the consequences of pride and stubbornness.
Enter KENT, GLOUCESTER, and EDMUND
Sennet. Enter KING LEAR, CORNWALL, ALBANY, GONERIL, REGAN, CORDELIA, and Attendants
Exeunt GLOUCESTER and EDMUND
Giving the crown
Laying his hand on his sword
Exit
Flourish. Re-enter GLOUCESTER, with KING OF FRANCE, BURGUNDY, and Attendants
Flourish. Exeunt all but KING OF FRANCE, GONERIL, REGAN, and CORDELIA
Exeunt KING OF FRANCE and CORDELIA
Exeunt
SCENE II. The Earl of Gloucester's castle.
Scene 2 of Act 1 of the play opens with the Earl of Gloucester introducing his illegitimate son, Edmund, to his legitimate son, Edgar. Edmund is bitter about being seen as an outcast due to his illegitimacy and wishes to take his rightful place in society. He decides to manipulate his father into thinking that Edgar is plotting against him. Edmund forges a letter from Edgar that suggests he is planning to kill Gloucester, and then shows it to his father. Gloucester is convinced by the letter and immediately believes that Edgar is a traitor. Edmund uses this opportunity to turn his father against his own brother and gain favor for himself. As the scene progresses, Edgar enters and is confused by his father's anger towards him. He is unaware of the letter and the accusations against him. Gloucester tells Edgar to flee and never return, believing him to be dangerous and disloyal. Edgar is forced to flee and disguise himself as a beggar to avoid being caught. The scene ends with Edmund expressing his satisfaction at having successfully turned his father against his brother and gained power and status for himself. The audience is left wondering how Edgar will survive and if he will ever be able to clear his name.
Enter EDMUND, with a letter
Enter GLOUCESTER
Putting up the letter
Exit
Exit
SCENE III. The Duke of Albany's palace.
Scene 3 of Act 1 begins with the Earl of Kent and the Earl of Gloucester discussing the current state of affairs in the kingdom. They both agree that Lear's decision to divide his kingdom among his daughters was foolish and will lead to trouble. Just then, Lear and his entourage enter. Lear is furious with Kent for speaking out against his decision and banishes him from the kingdom. Kent protests, but Lear will not listen. He then turns his attention to his daughters and asks them to profess their love for him in order to receive their share of the kingdom. Goneril, Lear's eldest daughter, delivers a long-winded speech professing her love for her father. Lear is pleased and gives her the largest share of the kingdom. Regan, Lear's middle daughter, follows suit with a similar speech and is also rewarded with a share of the kingdom. However, when it is Cordelia's turn, she refuses to flatter her father and profess her love in such a way. Lear becomes enraged and disowns her, splitting her share of the kingdom between Goneril and Regan. The scene ends with Kent, who has disguised himself as a servant, pledging to follow Lear and serve him faithfully despite his banishment.
Enter GONERIL, and OSWALD, her steward
Horns within
Exeunt
SCENE IV. A hall in the same.
Scene 4 of Act 1 begins with Lear's eldest daughter, Goneril, expressing her frustration with her father's behavior. She believes that he is being unreasonable and that his knights are causing chaos in her household. Goneril's husband, the Duke of Albany, suggests that they speak to Lear and ask him to reduce the number of knights he has brought with him. Lear arrives with his retinue of knights and immediately begins to argue with Goneril. He accuses her of being ungrateful and disrespectful, and tells her that he will go to his other daughter, Regan, instead. Goneril responds by telling Lear that he is being irrational and that he needs to listen to her advice. Regan arrives with her own retinue of knights, and Lear is pleased to see her. However, Regan immediately sides with Goneril and tells Lear that he needs to be more reasonable. Lear becomes angry and tells Regan that she is ungrateful just like her sister. The argument between Lear and his daughters continues to escalate, with both sides becoming increasingly hostile. Eventually, Lear decides to leave and go back out into the storm. Goneril and Regan are left behind, feeling frustrated and resentful towards their father.
Enter KENT, disguised
Horns within. Enter KING LEAR, Knights, and Attendants
Exit
Striking him
Tripping up his heels
Pushes OSWALD out
Giving KENT money
Enter Fool
Offering KENT his cap
Enter GONERIL
Enter ALBANY
Exit
Re-enter KING LEAR
Exeunt KING LEAR, KENT, and Attendants
Exit
Exeunt
SCENE V. Court before the same.
Scene 5 of Act 1 of a famous play begins with the arrival of King Lear at his daughter's castle. The king is eager to see his daughters and is warmly welcomed by his first daughter and her husband. However, his second daughter and her husband are less welcoming, and the king becomes angry and offended. The second daughter tells the king that she loves him, but she cannot express her love in words, and the king becomes even more angry. The king then turns to his third daughter and asks her to speak, and she tells him that she loves him more than words can express. The king is pleased with her response and gives her a generous portion of his kingdom. As the scene progresses, the king's advisors express their concern about the division of the kingdom and the possibility of conflict between the sisters. However, the king dismisses their concerns and sets out to enjoy the hospitality of his daughters. The scene ends with the king reflecting on his decision to divide his kingdom and expressing his hope that his daughters will continue to love and care for him. Overall, Scene 5 of Act 1 is a tense and dramatic scene that sets the stage for the conflict and tragedy that will unfold in the rest of the play. It highlights the themes of love, power, and family relationships, and introduces the complex and flawed characters who will drive the action of the play.
Enter KING LEAR, KENT, and Fool
Exit
Exeunt
Act II
In Act 2 of King Lear, Edmund, the illegitimate son of Gloucester, is plotting against his legitimate brother Edgar. He forges a letter from Edgar to their father that makes it seem like Edgar is planning to kill Gloucester. Edmund then shows the letter to Gloucester, who believes it and orders for Edgar to be captured.
Meanwhile, Lear is staying with Goneril but is unhappy with the way she treats him. He decides to go stay with his other daughter Regan instead. However, Regan is not happy about this and refuses to let Lear stay with her unless he reduces the number of knights in his entourage. Lear becomes angry and storms off into a stormy night, accompanied by his Fool and Kent.
The storm becomes worse and Lear starts to lose his sanity. He rants and raves about his daughters, the injustice of the world, and his own foolishness. Kent tries to calm him down and suggests that they seek shelter, but Lear refuses and continues to wander in the storm.
Meanwhile, Gloucester has captured Edgar and brought him to Cornwall and Regan's house. Cornwall orders for Edgar to be tortured, but Edmund secretly helps him escape. Gloucester is then informed that Lear is wandering in the storm and decides to go look for him, despite the danger. He is eventually led to a hovel where he finds Lear and his companions. They are all cold, wet, and miserable, and Lear's sanity continues to deteriorate.
SCENE I. GLOUCESTER's castle.
In Scene 1 of Act 2, a nobleman named Edmund is alone on stage and delivers a soliloquy. He expresses his discontent with his status as a bastard child and his desire to gain power and legitimacy. He resents his legitimate brother Edgar and plans to deceive their father, the Earl of Gloucester, into disinheriting Edgar and giving him the inheritance instead. Edmund then forges a letter from Edgar, in which Edgar appears to plot against their father's life. Edmund shows the letter to Gloucester, who is horrified and decides to have Edgar arrested. Edmund, pleased with his success, plans to use the situation to further his own ambitions. The scene establishes Edmund as a cunning and ambitious character, willing to deceive and manipulate to achieve his goals. It also sets up the conflict between Gloucester's two sons and foreshadows the chaos that will ensue as the play progresses.
Enter EDMUND, and CURAN meets him
Exit
Enter GLOUCESTER, and Servants with torches
Enter CORNWALL, REGAN, and Attendants
Exeunt
SCENE II. Before Gloucester's castle.
Scene 2 of Act 2 of this play follows the Earl of Gloucester and his illegitimate son Edmund as they discuss the recent events with King Lear and his daughters. Gloucester shares his concerns about Lear's madness and the potential consequences of his actions. Edmund, who is resentful of his status as a bastard and desires power, manipulates his father into believing that his legitimate son Edgar is plotting against them. Gloucester falls for the lie and orders Edmund to find and apprehend Edgar. Edmund then delivers a soliloquy in which he reveals his true intentions: to use his father's trust to gain power and to discredit his half-brother. He plans to forge a letter from Edgar, which will make it seem as though he is conspiring against their father. Edmund is an ambitious and ruthless character who will stop at nothing to achieve his desires. The scene ends with Edmund leaving to carry out his plan, leaving Gloucester grappling with his conflicting emotions and worries about the future. The themes of power, deception, and family relationships are heavily present in this scene, setting the stage for the tragic events to come.
Enter KENT and OSWALD, severally
Drawing his sword
Beating him
Enter EDMUND, with his rapier drawn, CORNWALL, REGAN, GLOUCESTER, and Servants
Stocks brought out
Exeunt all but GLOUCESTER and KENT
Exit
Sleeps
SCENE III. A wood.
Scene 3 of Act 2 of this play involves a conversation between Gloucester and Edmund. Gloucester is convinced that his legitimate son Edgar is plotting against him, and Edmund sees an opportunity to take advantage of the situation. He forges a letter from Edgar, which he shows to Gloucester, indicating that Edgar plans to kill him and take over his lands. Gloucester is devastated and wants to punish Edgar. Edmund, however, suggests that they wait and see if Edgar actually follows through with his plans before taking any action. During their conversation, Gloucester also tells Edmund about King Lear's plan to divide his kingdom among his daughters. Edmund sees this as an opportunity to gain power and suggests that if he were in Lear's position, he would not divide his kingdom so easily. Gloucester agrees, but also notes that Lear is an old man and may not be thinking clearly. Overall, this scene sets the stage for the betrayal and deception that will occur later in the play. It also highlights the theme of filial ingratitude, as Gloucester is willing to believe the worst about his own son and Edmund is willing to betray his own brother for personal gain.
Enter EDGAR
Exit
SCENE IV. Before GLOUCESTER's castle. KENT in the stocks.
Scene 4 of Act 2 involves a conversation between Edgar, disguised as Poor Tom, and Lear who has been wandering in the wilderness. Lear is delusional and has been stripped of his clothing. Edgar, disguised as Poor Tom, pretends to be a madman and engages Lear in conversation. Lear is initially cruel to Poor Tom, but eventually becomes sympathetic to his plight. Poor Tom tells Lear that he has been stripped of his clothes and that he sleeps with the animals in the fields. Lear begins to understand the suffering of the poor and sympathizes with Poor Tom. The scene ends with Lear and Poor Tom wandering off into the wilderness together.
Enter KING LEAR, Fool, and Gentleman
Exit
Re-enter KING LEAR with GLOUCESTER
Exit
Enter CORNWALL, REGAN, GLOUCESTER, and Servants
KENT is set at liberty
Tucket within
Pointing at OSWALD
Exeunt KING LEAR, GLOUCESTER, KENT, and Fool
Storm and tempest
Re-enter GLOUCESTER
Exeunt
Act III
Act 3 of King Lear sees the conflict between Lear and his daughters escalate as they continue to scheme against him. Goneril and Regan refuse to allow Lear to keep his large retinue of knights, prompting Lear to become increasingly enraged. He storms out into a fierce storm and encounters the disguised Kent, who tries to persuade Lear to seek refuge from the storm. They eventually stumble upon a hovel and are joined by the Fool, who offers his usual brand of witty commentary.
Meanwhile, Gloucester's illegitimate son Edmund is scheming against his legitimate brother Edgar, convincing their father that Edgar is plotting against him. Edgar flees, disguising himself as a madman in order to avoid being caught. Gloucester is eventually led to believe that his son is insane and is about to be attacked by him when Edgar reveals his true identity and saves his father from a fatal blow.
Back in the hovel, Lear becomes increasingly delusional and starts to have a conversation with imaginary figures. Gloucester arrives to tell him that he has arranged for him to be taken to safety, but it is too late as the sisters have already sent men to find and capture him. The act ends with Lear and his loyal followers being taken into custody by Goneril's soldiers and Edmund plotting against his brother and father.
SCENE I. A heath.
Scene 1 of Act 3 opens with Kent in the stocks. He was put there by Cornwall and Regan for disobeying their orders. Lear enters with his Fool and sees Kent in the stocks. He is upset and asks who did it. The Fool makes a joke and Lear laughs, but then becomes serious and says he will not tolerate this kind of treatment of his servant. Regan and Cornwall enter and Lear confronts them about Kent in the stocks. He becomes angry and tells them they are not fit to be his daughters. Regan and Cornwall do not back down and tell Lear he is being unreasonable. They then inform him that Goneril has raised an army against him. Lear is shocked and upset by this news. He curses Goneril and asks for his knights to be brought to him. Regan and Cornwall refuse, saying that he does not need so many knights and they will only cause trouble. They tell Lear that he can keep 25 knights and the rest must disperse. Lear becomes enraged and storms out of the room with his Fool and Kent. Regan and Cornwall discuss what to do with him, and decide to send Gloucester to tell Goneril that they have Lear under control. They also order Kent to be taken to the stocks in a different village. This scene sets up the conflict between Lear and his daughters, as well as the power struggle between Lear and his sons-in-law. It also shows the loyalty of Kent and the Fool to Lear, and their willingness to suffer punishment for him. The scene ends with Lear in a state of despair and anger, as his world crumbles around him.
Storm still. Enter KENT and a Gentleman, meeting
Exeunt severally
SCENE II. Another part of the heath. Storm still.
In Scene 2 of Act 3, the Earl of Gloucester is tricked by his illegitimate son Edmund into believing that his legitimate son, Edgar, is plotting to kill him. Gloucester is outraged and orders for Edgar to be found and captured. Meanwhile, Lear is wandering on the heath in a storm, accompanied by his Fool. He is delirious and starts to strip off his clothes, saying that he wants to feel the storm on his bare skin. The Fool tries to reason with him and convince him to take shelter, but Lear is too far gone and continues to rant and rave. As the storm worsens, Lear spots Gloucester and his men approaching. He mistakes them for his own daughters' soldiers and attacks them. Gloucester tries to calm him down and urges him to take shelter, but Lear is too far gone and continues to lash out. Eventually, Kent arrives on the scene and intervenes, managing to convince Lear to take shelter in a nearby hovel. Gloucester and his men head off in search of Edgar. The scene is full of turmoil and confusion, with the characters' emotions running high and the storm adding to the sense of chaos and danger. It sets the stage for the dramatic events that are to come in the rest of the play.
Enter KING LEAR and Fool
Enter KENT
Exeunt KING LEAR and KENT
Exit
SCENE III. Gloucester's castle.
In Scene 3 of Act 3, the king's daughters, Goneril and Regan, are discussing how to deal with their father's erratic behavior. They agree that he is becoming more and more difficult to handle and decide to send their messenger, Oswald, to tell him that they are not pleased with his behavior and to ask him to return to Goneril's castle. Meanwhile, the Earl of Gloucester arrives with news that the Duke of Cornwall, Regan's husband, has arrived in town. The sisters decide to go and meet him, leaving Oswald to deal with their father. When Oswald arrives, Lear is furious with him for delivering a message from Goneril and physically assaults him. The Earl of Kent, who was previously banished by Lear for defending Cordelia, arrives in disguise and tries to reason with the king. However, Lear insists on being left alone and eventually wanders off into a stormy night, accompanied only by his Fool. The scene sets up the ongoing conflict between Lear and his daughters, as well as the betrayal of those closest to him. It also highlights Lear's increasingly unstable mental state, as well as his vulnerability in the face of his daughters' power plays.
Enter GLOUCESTER and EDMUND
Exit
Exit
SCENE IV. The heath. Before a hovel.
Scene 4 of Act 3 takes place in a hovel on the heath during a fierce storm. King Lear, accompanied by the Fool, has taken refuge there. Gloucester's son Edgar, disguised as a madman named Tom O'Bedlam, enters the hovel and engages in conversation with Lear. Edgar pretends to be a poor man who has been wronged by his family and has been forced to live as a beggar. He speaks in riddles and nonsense, but Lear is able to understand him and empathizes with his plight. The storm outside intensifies, and Lear becomes increasingly agitated. He rants and raves about his daughters and the injustice of his situation. He also begins to realize the folly of his actions, admitting that he has been a foolish and vain king. The Fool tries to comfort him, but Lear is too far gone in his madness to be consoled. As the scene comes to a close, Gloucester enters the hovel and tells Lear that he has found a way to help him. He leads Lear and the Fool away, still caught in the midst of the storm.
Enter KING LEAR, KENT, and Fool
Storm still
The Fool runs out from the hovel
Enter EDGAR disguised as a mad man
Storm still
Storm still
Tearing off his clothes
Enter GLOUCESTER, with a torch
Exeunt
SCENE V. Gloucester's castle.
In Scene 5 of Act 3, a storm is raging on the heath and King Lear is outside in the midst of it. He is accompanied by his Fool and Kent, who is disguised as a servant. Lear is struggling to maintain his sanity and curses the storm, proclaiming that he is more powerful than it. He also laments the betrayal of his daughters and his own folly in dividing his kingdom among them. Edgar, who is also disguised as a madman, appears on the heath and Lear takes him in, believing him to be a fellow sufferer. Edgar tells Lear to take shelter in a nearby hovel, and Lear agrees. Inside the hovel, they meet the owner, a mad beggar named Poor Tom who is actually Edgar in disguise. Meanwhile, Gloucester has been captured by Edmund's men and is brought before Cornwall and Regan. They accuse him of treason and order him to be tortured. One of Cornwall's servants objects to the cruelty of the punishment and is blinded by Cornwall in a fit of rage. Gloucester, horrified by the brutality, attempts to intervene and is also blinded. The scene ends with Lear, Poor Tom, and the Fool still inside the hovel, while outside the storm continues to rage.
Enter CORNWALL and EDMUND
Exeunt
SCENE VI. A chamber in a farmhouse adjoining the castle.
Scene 6 of Act 3 begins with a discussion between Kent and a Gentleman. The Gentleman informs Kent about the current state of affairs in the kingdom. He tells Kent that the situation is grim as the king's daughters, Goneril and Regan, are ruling with an iron fist and treating their father, King Lear, very poorly. They have reduced his retinue and have ordered their servants to treat him with disrespect. Kent is saddened by this news and expresses his concern for the king's well-being. He decides to go and see King Lear for himself and offer his assistance. The Gentleman warns Kent that this may be dangerous as Goneril and Regan have ordered that anyone who supports the king should be punished. Kent, however, is determined to help the king and sets off to find him. The scene then shifts to a conversation between Goneril and Edmund. Goneril expresses her frustration with King Lear's behavior and wishes that he would leave her castle. She is also upset with her husband, Albany, for not supporting her in her efforts to control the kingdom. Edmund, who is in love with Goneril, offers to help her in any way he can. The scene ends with Goneril giving orders to her servants to continue mistreating King Lear and his men. She also orders her soldiers to keep a close eye on her sister Regan, as she fears that she may be conspiring against her. The audience is left to wonder what will happen next and how King Lear will react to the mistreatment he is receiving.
Enter GLOUCESTER, KING LEAR, KENT, Fool, and EDGAR
Exit GLOUCESTER
Re-enter GLOUCESTER
Exeunt all but EDGAR
Exit
SCENE VII. Gloucester's castle.
In Scene 7 of Act 3, the king is left alone on the heath during a raging storm. He rages against the cruelty of the world, the ingratitude of his daughters, and the impotence of his own power. He has become a madman, stripped of his authority and his sanity, and he is left to wander the wilderness like a beggar. As he rants and raves, he is joined by the Fool, who tries to comfort him with his own brand of wisdom. The Fool reminds Lear that he was once a king, and that he should not give up hope. He also tells Lear that his daughters are ungrateful and wicked, and that he should curse them for their treachery. As the storm continues to rage, Lear is joined by the disguised Kent, who offers to serve him as a loyal follower. Lear is touched by Kent's loyalty, and he begins to regain some of his composure. He realizes that he has been wrong about many things, and he vows to seek redemption and make amends for his past mistakes. Despite his newfound resolve, however, Lear is still plagued by madness and despair. He continues to rail against the world and his fate, and he is haunted by the memory of his beloved daughter Cordelia, whom he has banished. As the storm reaches its climax, Lear is left alone on the heath, a broken and tormented figure, struggling to come to terms with his own mortality and the futility of his own power.
Enter CORNWALL, REGAN, GONERIL, EDMUND, and Servants
Exeunt some of the Servants
Enter GLOUCESTER, brought in by two or three
Servants bind him
REGAN plucks his beard
They draw and fight
Takes a sword, and runs at him behind
Dies
Exit CORNWALL, led by REGAN
Exeunt severally
Act IV
Act 4 of King Lear sees a major shift in the story. The Earl of Gloucester is brought to the cliff by his traitorous son Edmund, who plans to have him killed. However, Edgar, who had been disguised as a madman, appears and saves his father. Meanwhile, King Lear has been taken prisoner by his own daughter, Regan, and her husband, the Duke of Cornwall. Regan and her sister, Goneril, are at odds with each other and begin to plot against each other.
The Earl of Gloucester is blindfolded by his captors, who then proceed to pluck out his eyes. The gruesome scene is witnessed by the audience, and the Earl's cries of pain are heart-wrenching. However, the blinding also serves as a metaphor for the blindness of the characters in the play. The characters are blind to their own faults and to the true nature of those around them.
King Lear is eventually rescued by Cordelia and her army. Lear's mental state has deteriorated significantly, and he is barely coherent. Cordelia tries to comfort him, but it is clear that he is beyond help. The scene ends with Cordelia taking her father away, and the audience is left to wonder what will become of him.
Overall, Act 4 is a pivotal moment in the play. It marks a turning point for many of the characters, and sets the stage for the tragic conclusion of the story.
SCENE I. The heath.
In Scene 1 of Act 4, a physician and a gentlewoman observe a distraught King who has been driven to madness. He is in the midst of a raging storm and is wandering the countryside with his Fool. The King rambles and speaks incoherently about his daughters and their betrayal, and how he has been reduced to nothing. The physician notes that the King's mental state has worsened and that they must find a way to cure him. At that moment, the Duke of Albany and his wife, Goneril, arrive on the scene. They are seeking the King's whereabouts and are determined to capture him. The gentlewoman tries to intervene and protect the King, but Goneril dismisses her and orders her soldiers to search for the King. The King, who is still incoherent, is eventually found and taken away by Goneril and her soldiers. The Fool, who has been a loyal companion to the King, laments the situation and expresses his sadness at seeing the King's troubles. The scene ends with the physician and the gentlewoman discussing the King's condition. They note that his madness has been caused by the stress and cruelty of his daughters, and that there may still be hope for him if he is given proper care and treatment.
Enter EDGAR
Exit
Exeunt
SCENE II. Before ALBANY's palace.
In Scene 2 of Act 4, the main character is seen wandering in a stormy night, completely disoriented and lost. He is accompanied by his faithful Fool and a disguised Kent. Lear is in a state of madness as he talks to himself and imagines that he is in a position of power and control. He is delusional and cannot accept the reality of his situation. As they continue to wander, they stumble upon a hovel where a poor man lives with his son. Lear is shocked at the sight of their living conditions and cannot understand why they would choose to live in such poverty. He begins to reflect on his own choices and how he has mistreated his own daughters. He realizes that he was wrong in his judgment and that he must go back and make amends with them. The Fool tries to reason with Lear, but he is too far gone in his madness. Kent, still in disguise, manages to get a message to Lear's loyal daughter, Cordelia, who has been searching for him. She sends soldiers to rescue him and bring him back to safety. As they leave, Lear reflects on his mistakes and the consequences of his actions. He is remorseful and wishes he had done things differently. Overall, Scene 2 of Act 4 is a powerful depiction of a man's descent into madness and his eventual realization of his mistakes. It is a poignant reminder of the importance of family and the consequences of neglecting those who are closest to us.
Enter GONERIL and EDMUND
Exit
Enter ALBANY
Enter a Messenger
Exit
Exeunt
SCENE III. The French camp near Dover.
Act 4 Scene 3 opens with Cordelia and her army preparing for battle against her own father, King Lear. As they wait for the arrival of their enemy, Cordelia expresses her sadness over having to fight her own father, but remains determined to protect her people. Meanwhile, the Earl of Gloucester is brought before Edmund, who has taken control of the castle. Gloucester pleads for Edmund's mercy, but Edmund reveals that he has already sentenced him to death for his loyalty to King Lear. Gloucester is taken away to be executed. Back on the battlefield, King Lear and his troops arrive and Cordelia attempts to reason with her father, urging him to relinquish his power and reconcile with her. However, Lear is stubborn and refuses to back down. The two sides engage in battle, with Cordelia's army gaining the upper hand. However, just as victory seems within reach, Cordelia is captured by Edmund's forces. Lear is devastated to see his daughter taken captive and pleads with her captors to spare her life. As the scene ends, Cordelia is taken away to be executed and Lear is left alone to reflect on his actions and the consequences they have brought upon his family.
Enter KENT and a Gentleman
Exeunt
SCENE IV. The same. A tent.
Scene 4 of Act 4 of King Lear is a powerful and emotional scene that follows the tumultuous events of the previous scenes. In this scene, the audience is presented with a harrowing portrayal of King Lear's descent into madness and despair. The scene opens with Lear wandering alone on the heath, his mind consumed by the pain and suffering he has endured. He rages against the heavens, cursing the gods for their cruelty and lamenting his own foolishness. His madness is on full display as he rants and raves, his words reflecting the chaos and confusion that has taken hold of him. As Lear continues to ramble, he is joined by Edgar, who is disguised as the madman Tom o' Bedlam. Edgar attempts to reason with Lear, but the king is too far gone to listen. He accuses Edgar of being a "philosopher," a term he uses to describe anyone who tries to make sense of the world around them. Despite Lear's madness, Edgar manages to get through to him on some level. He reminds the king that he is still a king, regardless of his current circumstances, and urges him to take action to regain his throne. Though Lear is initially resistant, he eventually agrees to try to take back his kingdom. The scene ends with Lear and Edgar leaving the stage together, their fate uncertain. The audience is left to ponder the tragic events that have unfolded and wonder what the future holds for these two characters.
Enter, with drum and colours, CORDELIA, Doctor, and Soldiers
Enter a Messenger
Exeunt
SCENE V. Gloucester's castle.
Scene 5 of Act 4 sees the main character in the play, an aging king, wandering the countryside in a state of madness. He is accompanied by one of his daughters, who has betrayed him and taken away his power and wealth. As they wander, they encounter a group of poor farmers who offer them shelter for the night. The king is initially hesitant to accept their offer, but his daughter convinces him to stay. As they settle in for the night, the king begins to rant and rave, cursing his daughter and expressing his anger and despair at his situation. The farmers watch on in confusion and sadness. As the night wears on, the king's madness becomes more pronounced. He strips off his clothes and wanders naked through the storm, taunting the elements and expressing his anger at the world. Eventually, he collapses in exhaustion and is taken back to the shelter by his daughter and the farmers. Scene 5 of Act 4 is a powerful and emotional moment in the play, illustrating the depths of the king's despair and the toll that his daughters' betrayal has taken on him. It is a poignant reminder of the importance of family and the dangers of greed and power, and a testament to the enduring power of Shakespeare's writing.
Enter REGAN and OSWALD
Exeunt
SCENE VI. Fields near Dover.
Scene 6 of Act 4 begins with a conversation between Edgar, disguised as Poor Tom, and Gloucester. Gloucester is blind and is being led by his son, who he does not recognize. Edgar speaks in a mad manner, causing Gloucester to pity him. Gloucester offers Poor Tom some money and asks him to stay close by. As they continue to talk, Lear enters the scene. He is also mad and has been wandering the countryside. Gloucester recognizes Lear's voice and they embrace. Lear tells Gloucester that he has been betrayed by his daughters and has lost everything. Gloucester tells Lear that he too has been betrayed by his own son, Edmund. Gloucester decides to end his own life, feeling that he has nothing left to live for. Edgar, still disguised as Poor Tom, convinces Gloucester to let him lead him to the top of a cliff and pretend to jump off. Gloucester agrees and Edgar leads him to the edge of the cliff. As Gloucester prepares to jump, Edgar tells him to stop and reveals his true identity. Gloucester is overjoyed to be reunited with his son and grateful for his life. They leave the scene together, with Edgar promising to lead Gloucester to safety. The scene is filled with themes of betrayal, madness, and the love between a father and son. It is a pivotal moment in the play, setting up the final acts and leading to the ultimate downfall of the characters involved.
Enter GLOUCESTER, and EDGAR dressed like a peasant
He falls forward
Enter a Gentleman, with Attendants
Exit running; Attendants follow
Exit Gentleman
Enter OSWALD
EDGAR interposes
They fight, and EDGAR knocks him down
Dies
Exeunt
SCENE VII. A tent in the French camp. LEAR on a bed asleep, soft music playing; Gentleman, and others attending.
In Scene 7 of Act 4, a blind and distraught King is wandering around in a storm with his loyal servant. They come across a hovel and seek shelter there. The hovel is occupied by a madman who is singing and raving. The King realizes that even the lowest of men can be driven to madness and despair. He also realizes the true nature of his daughters and their betrayal of him. The King's servant tries to comfort him and urges him to seek the help of his other daughter, Cordelia. The King agrees and they set off towards her.
Enter CORDELIA, KENT, and Doctor
Exeunt all but KENT and Gentleman
Exit
Exit
Act V
Act 5 of King Lear is the final act of the play and begins with the wounded Edmund, who has betrayed his father and brother, being brought to the stage. He confesses his love for Goneril's sister, Regan, and his desire to kill Edgar. However, before he can carry out his plan, Edgar challenges him to a duel and kills him.
Meanwhile, Lear, who has been wandering in the storm with his loyal servant, Kent, and his Fool, has been captured by Cordelia's army. Cordelia, who has forgiven her father, orders her soldiers to treat him with kindness and tenderness. Lear, who has been driven to the brink of insanity, is finally reunited with Cordelia. However, their reunion is short-lived as Cordelia is later hanged by Edmund's orders.
Lear's grief over the loss of his daughter causes him to die of a broken heart. Before he dies, he carries Cordelia's body on stage and delivers the famous lines, "Howl, howl, howl, howl! O, you are men of stones! Had I your tongues and eyes, I'd use them so that heaven's vault should crack. She's gone forever!"
The play ends with the deaths of Lear and Cordelia and the remaining characters left to reflect on the tragic events that have unfolded. The audience is left with a sense of the fragility of human life and the consequences of greed, betrayal, and revenge.
SCENE I. The British camp, near Dover.
Scene 1 of Act 5 begins with Edmund, the Earl of Gloucester's illegitimate son, ordering his soldiers to watch out for King Lear, who has been wandering aimlessly on the heath in a state of madness. Edmund plans to capture Lear and his loyal followers and bring them to the Duke of Cornwall, who has promised to reward him for his loyalty. As Edmund leaves, King Lear enters, accompanied by his loyal follower, Kent. Lear is still in a state of madness, but he has moments of clarity in which he recognizes Kent and expresses regret for the way he treated him in the past. Kent tells Lear that Cordelia, his youngest daughter, has been leading an army against the Duke of Cornwall and that they are coming to his aid. Just then, a messenger arrives with news that the Duke of Cornwall has been killed and that his wife, Regan, has taken over the leadership of their army. Lear is overjoyed at the news and decides to go to Regan's castle to seek refuge and reunite with his daughter, Cordelia. Meanwhile, Edmund has captured Lear's loyal followers and is planning to execute them. However, he is interrupted by the arrival of Regan, who has come to take charge of the situation. Edmund sees this as an opportunity to win Regan's favor and suggests that they capture Lear and Cordelia, who are on their way to the castle. Regan agrees, and they set a trap for Lear and Cordelia. When they arrive, Regan and Edmund turn on them and order their soldiers to capture them. A battle ensues, and Lear and Cordelia are eventually taken prisoner. The scene ends with Edmund gloating over his victory and his plans to marry both Regan and her sister, Goneril, who has also arrived at the castle. However, he is interrupted by a messenger who brings news that the Duke of Albany, Regan's husband, has raised an army against them and is on his way to the castle to fight them.
Enter, with drum and colours, EDMUND, REGAN, Gentlemen, and Soldiers. EDMUND Know of the duke if his last purpose hold, Or whether since he is advised by aught To change the course: he's full of alteration And self-reproving: bring his constant pleasure. [To a Gentleman, who goes out
Enter, with drum and colours, ALBANY, GONERIL, and Soldiers
As they are going out, enter EDGAR disguised
Exeunt all but ALBANY and EDGAR
Exit EDGAR
Re-enter EDMUND
Exit
Exit
SCENE II. A field between the two camps.
Scene 2 of Act 5 takes place in a tent on the battlefield where the British army is preparing to fight against the French. Edmund enters the tent with two soldiers and orders them to bring in Cordelia and to treat her with kindness and respect. Cordelia is brought in, and she expresses her love for her father, King Lear, and her hope that they can reconcile. Edmund, however, orders her to be taken away and placed in custody, saying that he will decide what to do with her later. Albany, who has just arrived on the battlefield, confronts Edmund about his actions towards Cordelia and demands that she be released. Edmund refuses and challenges Albany to a duel, which Albany accepts. Meanwhile, Goneril, who has been poisoned by Regan, enters the tent and confesses her wrongdoing to Albany. She then kills herself with a dagger. Edmund, who had been planning to marry Goneril, is shocked and vows to avenge her death. The scene ends with Edmund and Albany preparing to fight each other, and with Cordelia being taken away to prison. The audience is left wondering what will happen next in this tragic tale of family betrayal and political power struggles.
Alarum within. Enter, with drum and colours, KING LEAR, CORDELIA, and Soldiers, over the stage; and exeunt
Enter EDGAR and GLOUCESTER
Exit EDGAR
Alarum and retreat within. Re-enter EDGAR
Exeunt
SCENE III. The British camp near Dover.
In Scene 3 of Act 5, two characters are discussing the events that have led up to the current situation. The first character is upset about the way things have turned out and feels that the blame lies with the second character. The second character defends their actions and tries to explain their reasoning. As the conversation continues, tensions rise and the first character becomes more and more angry. They accuse the second character of being a liar and a traitor. The second character tries to defend themselves, but the first character is not willing to listen. Eventually, the first character becomes so enraged that they attack the second character. The scene ends with the two characters fighting and it is unclear what will happen next. Overall, this scene is a tense and dramatic moment in the play. It highlights the themes of betrayal, anger, and violence that are present throughout the story. It also shows how emotions can boil over and lead to destructive behavior.
Enter, in conquest, with drum and colours, EDMUND, KING LEAR and CORDELIA, prisoners; Captain, Soldiers, c
Exeunt KING LEAR and CORDELIA, guarded
Exit
Flourish. Enter ALBANY, GONERIL, REGAN, another Captain, and Soldiers
A trumpet sounds
First trumpet
Second trumpet
Trumpet answers within
Enter EDGAR, at the third sound, armed, with a trumpet before him
Alarums. They fight. EDMUND falls
Gives the letter to EDMUND
Exit
Enter a Gentleman, with a bloody knife
The bodies of GONERIL and REGAN are brought in
Exit EDGAR
EDMUND is borne off
Re-enter KING LEAR, with CORDELIA dead in his arms; EDGAR, Captain, and others following
Enter a Captain
Dies
Exeunt, with a dead march